ドキュメントでは、「モノや人の関係を明確に表わす」「複雑な流れをわかりやすく説明する」といった場面がたくさん出てきます。概念図は、言葉だけでピンとこない複雑な関係も、わかりやすく伝えることができます。 本セッションでは、テクニカルライター向けに概念図を描くテクニックをご紹介します。
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(株)エナジー・フラッシュ(TDB企業コード:987797791、東京都新宿区西新宿3-3-23)は、7月14日に東京地裁より破産手続き開始決定を受けた。 破産管財人は花野信子弁護士(東京都港区赤坂4-7-15、光和総合法律事務所、電話03-5562-2572)。債権届け出期間は8月12日まで。 当社は、1988年(昭和63年)4月に宝石類等の販売を目的に設立。その後、実質休眠状態となっていたが、95年(平成7年)9月に音楽ライターの佐久間英夫氏が買収し、レコードショップとして再開した。東京都渋谷区にてレコード店「TECHNIQUE(テクニーク)」を経営し、オンラインショップでの販売も手がけていた。2017年には従業員だった佐藤吉春氏が代表に就任。テクノやハウス、トランスなどクラブシーンで使用されるジャンルを主体に扱い、大半が海外のものでインディーズレーベルの品揃えが多いことから、熱心なフ
Be focused and make things easier. Focus To-Do is an easy-to-use time and task management application that helps you to manage tasks anywhere and anytime, and helps you to perform tasks efficiently. Millions of users around the world use our application and have gained efficiency. Based on the Pomodoro Technique Set an execution time for the task, focus on the task until the end of the time, the h
What is FUI?For anyone who does not know, FUI stands for a fiction user interface, future user interface, etc. Usually used in movies or video-games to create hi-tech look or for visual storytelling. There are production companies that fully specialized in designing that kinda stuff. Long story short. What I wanted to do?Idea and concept were to do some experiments and try to create simple and eas
HTML smuggling, a highly evasive malware delivery technique that leverages legitimate HTML5 and JavaScript features, is increasingly used in email campaigns that deploy banking malware, remote access Trojans (RATs), and other payloads related to targeted attacks. Notably, this technique was observed in a spear-phishing campaign from the threat actor NOBELIUM in May. More recently, we have also see
Upon hearing “sticky footer” these days, I would think most people imagine a position: sticky situation where a footer element appears fixed on the screen while in the scrolling context of some parent element. That’s not quite what I’m talking about here. “Sticky footers” were a UI concept before position: sticky existed and they mean something slightly different. The idea is that they stick to th
A new technique for making responsive, JavaScript-free charts There are countless libraries for generating charts on the web. Each serves a slightly different niche, but all of them have one thing in common: they require JavaScript. That makes sense, of course — often your charts will depend on data that must be fetched over the network with JS, or will be rendered to a <canvas> element. But it's
When I started giving talks about SVG back in 2016, I’d occasionally hear a question I never had a great answer for: What if you have a lot of icons on a page? You see, many attendees were interested in transitioning away from icon fonts. But while SVG offers a more accessible, reliable and powerful alternative, there’s no denying that browsers have an easier time displaying thousands of text char
おもてなしの基礎英語 Session172 “ 今回は上野駅で働く運転士さんの英語レッスンにポップイン!訪日外国人客急増で、ホームでお困りの外国人から話しかけられる機会が急増中。そんな運転士さんたちに好評だった英語レッスン内容とは? ” It's time for a toast. 乾杯しましょう。 Pop in! JR運転士さんたちの英語講習会に密着。 The Level-down technique。相手の表現が難しいときや早口のときにどう返すか。 Please speak more slowly. What does ~~mean? 自分でも理解できるレベルの表現にダウンしてもらうテクニック。あーこれ重要だね。まずは「コミュニケーションができるかどうか」を主眼に置くなら。英語力を上げたいがために難しい表現でもできるようにならなくちゃ…と焦りがちになるんだけどね(レベルアップしようと
Large language models require huge amounts of GPU memory. Is it possible to run inference on a single GPU? If so, what is the minimum GPU memory required? The 70B large language model has parameter size of 130GB. Just loading the model into the GPU requires 2 A100 GPUs with 100GB memory each. During inference, the entire input sequence also needs to be loaded into memory for complex “attention” ca
EYECANDY is a labor of love for the people. It’s something to enjoy and learn from. It’s not something you should gatekeep— It was made to blow the gates open. It’s forever WIP. It’s never 100% accurate. It’s a little messy. It’s for you. Created by Jacobi. Curated by you. Eyecandy is a database of over 5,000 GIFs representing the very best visual techniques in the world of filmmaking. Eyecandy ca
A new dense, sliding-window technique for instance segmentation What the research is:We’re introducing a new framework, called TensorMask, that uses a dense, sliding-window technique for very sharp instance segmentation. TensorMask designs novel architectures and operators to capture the 4D geometric structure with rich, effective representations for dense images. This is the first time this appro
OverviewIn the spring of 2020, I obtained and analyzed a sample of malware called “Emotet”. The malware is one of the most violent malware in Japan in 2020. The malware used several techniques that bothered analysts. Most of the recently malware seen hides the main payload with a program called “packer”. The malware I analyzed also used some techniques. This time, I will explain the technique of “
Here are some ways to increase your creative productivity to help you get things done using the reframing technique. Reframing helps you see a situation in a different way. It can help you escape from short-term thinking by challenging your mindset and perception models. By using this technique, you can generate new ideas and gain a fresh perspective on problems. Let's take a look at what reframin
A novel technique for creating ergonomic and tree-shakable TypeScript libraries In this article, I will present an interesting technique for creating tree-shakable TypeScript libraries without compromising user experience. Here's the high-level overview: Users consume our library's API through a single entry point (think Zod).This allows them to use techniques such as method chaining, builder patt
ドラマや映画で描かれる「ハッキングシーン」はどこまでリアルなのだろうか。Openpath社の創業者で現役ハッカーのサミー・カムカーがテレビや映画のハッキングを解説する。今回解説するのは『ジュラシック・パーク』や『ファイヤーウォール』など、有名作品の数々だ。 WIRED JAPAN チャンネル登録はこちら▶︎▶︎http://bit.ly/WIREDjpYouTube WIRED JAPAN:https://wired.jp WIRED.jp Twitter:https://twitter.com/wired_jp WIRED.jp Facebook:https://www.facebook.com/WIRED.jp WIRED.jp Instagram:https://www.instagram.com/wired_jp/
元宇宙飛行士のChris Hadfield(クリス・ハドフィールド)が、宇宙映画の様々なシーンを振り返る。『ゼロ・グラビティ』や『インターステラー』などの名作は、経験豊富な宇宙飛行士の視点で観るとどれだけ現実的なのだろうか? WIRED JAPAN チャンネル登録はこちら▶︎▶︎http://bit.ly/WIREDjpYouTube WIRED JAPAN:https://wired.jp WIRED.jp Twitter:https://twitter.com/wired_jp WIRED.jp Facebook:https://www.facebook.com/WIRED.jp WIRED.jp Instagram:https://www.instagram.com/wired_jp/
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