Boulez’s determination to forge a musical style in keeping with the post-second world war era can be heard in the Sonatine for flute and piano and in the First Piano Sonata (1946). Already he was using the 12-note series in a personal way, refusing to be bound by Schoenbergian rules. In the Sonatine, the writing for piano, “the archetypal instrument of delirium”, set the explosive pattern for late
リリース、障害情報などのサービスのお知らせ
最新の人気エントリーの配信
処理を実行中です
j次のブックマーク
k前のブックマーク
lあとで読む
eコメント一覧を開く
oページを開く