Overtone Recipes - Home
Today I’m going to show you how to recreate “supersaw” synth with an example of Coldplay’s “Sky Full of Stars” chorus. » In this post I’ll introduce my live coding music environment built on top on Overtone and Leipzig. » This is the first of (I hope…) series of tutorials on using great Overtone library for turning your computer into a musical instrument with Clojure. »
NIT-Universe: SuperColliderアーカイブ
前回までのところでタイマーに対し演奏されるべき時間にトリガーをかけてもらう予約を行うところまで来ていた。あとはトリガーに対して演奏データを処理する、つまりは最終的にsclangのランドから、scsynthに対してコマンドを発行することになる。 ようやくUGenからみていったSuperColliderの処理の流れも、一周してきたというわけだ。 前回までにClock(TempoClock)によってトリガーを発生させ、そのタイミングでコマンドをシンセサイザノードに送信することによって演奏を行うことが可能だと言うことを見てきた。 ただ、その操作はローレベル過ぎて、確かに可能なのだけど、毎回このような基礎の部分から行わないといけないとなると面倒だ。おそらく、プログラムをかける人なら必ずなんらかの手間の簡略化（クラス化なり）を行うだろう。そしてSuperColliderにもそういった上位のラッパークラ
KeyboardMag: Marcus Ryle Interviewed
NAMM 2024: Could Korg’s Grandstage X be the best-looking stage piano yet? We’d be happy to be seen with it at a gig NAMM 2024: Korg’s Poetry, a ‘Chopin piano’, could be the most unexpected signature instrument ever Surely it should have been called the ‘Chopiano’, though? “It feels like there are more keys”: this curved grand piano just made its debut at Carnegie Hall, and is praised for its “effo
Contents
Sound Synthesis and Physical Modeling Abstract Digital Sound Synthesis Additive Synthesis Subtractive Synthesis Wavetable Synthesis AM and FM Synthesis Other Methods Physical Modeling Lumped Mass-Spring Networks Modal Synthesis Digital Waveguides Hybrid Methods Direct Numerical Simulation Physical Modeling: A Larger View Physical Models as Descended from Abstract Synthesis Connections: Direct Simu
Dynamic range compression - Wikipedia
This article is about a process that intentionally reduces the dynamic range of audio signals. For similar reductions caused by circuit imperfections, see Gain compression. For processes that reduce the size of digital audio files, see Audio compression (data). A rack of audio compressors in a recording studio. From top to bottom: Retro Instruments/Gates STA level; Spectra Sonic 610; Dbx 162; Dbx
Designing Sound in SuperCollider - Wikibooks, open books for an open world
A printable version of Designing Sound in SuperCollider is available. (edit it) This book is an independent project based on Designing Sound by Andy Farnell, all about the principles and techniques needed to design sound effects for real-time synthesis. The original book provides examples in the PureData language - here we have re-created some of the examples using SuperCollider. The original book
Dan Russell's Acoustics and Vibration Animations
by Dr. Daniel A. Russell Teaching Professor of Acoustics, Graduate Program in Acoustics, The Pennsylvania State University The links below contain animations illustrating acoustics and vibration, waves and oscillation concepts. I started using Mathematica to create animations to help me understand and visualize certain acoustics and vibration phenomena in 1992 while I was a Ph.D. student in the Gr
Synthesizing Bells
Figure 1: Synthesizing a cymbal using the Nord Modular. Having come up last month with a reasonably realistic cymbal patch, it's time to take the principles of synthesizing metallic percussion one stage further, and produce bell sounds. But there's more to this than you might think... Though you may not have been aware of it, for the past three months we've been investigating the sound-generation
Article Series
How I Got That Sound - Top Engineers/Producers Reveal Their Favourite Sonic Moment (34 articles) SOS presents an ongoing collection of informative articles where each month a music producer and/or sound engineer reveals how their favourite recorded instrument or sound treatment was created, miked up, programmed and captured for posterity. Talkback (42 articles) In this regular monthly feature we s
Cymbal synthesis tutorial
Cymbal synthesis tutorial Dan Stowell This tutorial describes an approach to synthesising decent-sounding cymbals, in a way that is efficient enough for a real-time synthesis system. It doesn't aim to emulate the cymbals from the classic drum machines (see the excellent Sound On Sound Synth Secrets tutorials for some of that). It is not a physical modelling approach either. Although physical model
SuperCollider Code
grirgz commented on how to generate the synthdef with a pattern 14 Feb'24 15:39 it was a question on a discord if i remember correctly, i don't really use this kind of code, but it is possible so why not ? ^^ Vinchiappetto Sempre commented on Infinite rhythmic marimba clusters 06 Feb'24 12:29 RESPECT !!! I follow his Tutorial. He is the MASTER !!!!
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Vanguard - A1: Karplus-Strong Synthesis (musc-115-pluck)
Nick Collins: code
Appendix D. Formant Values
http://ia601302.us.archive.org/10/items/sc140/sc140_sourcecode.txt
http://ecmc.rochester.edu/ecmc/docs/supercollider/scbook/Ch21_Interface_Investigations/ixi%20SC%20tutorial/ixi_SC_tutorial_12.html
Computer Music: Vanderbilt University; Blair School of Music; Resources
Computer Music: Simple Bell Tutorial
http://www.fonurgia.unito.it/andrea/sw/sc/theSuperColliderHelpBook.pdf