Ultionus: A Soundtrack of Petty Revenge, by Jake Kaufman
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Heaven Variant - Soundtrack, by Jason Koohi
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Authenticity and Emulation: Chiptune in the Early Twenty-First Century by Sebastian Tomczak
[This article is written both in Japanese and English.] インターナショナル・コンピュータ・ミュージック・カンファレンス2008で発表されたSebastian Tomczak（little-scale）の報告、「オーセンティシティとエミュレーション」の翻訳を公開します。 簡潔にして鋭利な、2000年代以降に現れたチップチューン／チップミュージックを扱ったテキストのなかでは、最も重要なものの一つであることには疑いがありません。 エミュレーションとオリジナル・ハードウェアの持つ意義から、この音楽ジャンルのアイデンティティを位置づけた論文になります。 Now I’d like to introduce ”Authenticity and Emulation” by Sebastian Tomczak known as little-scale
Takes Time, by Jim Guthrie
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Behind the sounds: Hotline Miami and FTL
Behind the sounds: Hotline Miami and FTL Making music with M.O.O.N., Scattle and Prunty Music man David Valjalo follows-up his exploration of the big-budget orchestral soundtracks in the mainstream games industry with a look at the other end of the scale - the super-low-budget, ultra-catchy, sometimes kitschy scores of indie darlings. He rounds up the men behind Hotline Miami, Sweden-based Dennis
one, by C418
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FTL, by Ben Prunty
D0HERRITT A very close friend of mine introduced me to the game this soundtrack is based off of. I am more familiar with the VRChat version, "Fate of the irrbloss". One of the things I noticed about the tracklisting is how the 2 different versions of the songs are split, effectively doubling the number of tracks. FOTI does the same with it's OST layout. If you are an avid VRchat user, look up "Fat
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