“Edward Kienholz’s “Five Car Stud,” on display at the Museum of Contemporary Art in Antwerp, Belgium, was one of the most controversial and mythologized artworks of the 1970s”

ykkykym のブックマーク 2018/09/27 23:08

<blockquote class="hatena-bookmark-comment"><a class="comment-info" href="https://b.hatena.ne.jp/entry/371816237/comment/ykkykym" data-user-id="ykkykym" data-entry-url="https://b.hatena.ne.jp/entry/s/www.nytimes.com/2018/07/23/arts/antwerp-art-sanguine-bloedrood.html" data-original-href="https://www.nytimes.com/2018/07/23/arts/antwerp-art-sanguine-bloedrood.html" data-entry-favicon="https://cdn-ak2.favicon.st-hatena.com/64?url=https%3A%2F%2Fwww.nytimes.com%2F2018%2F07%2F23%2Farts%2Fantwerp-art-sanguine-bloedrood.html" data-user-icon="/users/ykkykym/profile.png">High Drama, High Contrast: Finding the Baroque in Contemporary Art (Published 2018)</a><ul class="comment-tag" style="list-style: none; margin: 0px;"><li style="float: left">[<a href="https://b.hatena.ne.jp/q/kienholz">kienholz</a>]</li><li style="float: left">[<a href="https://b.hatena.ne.jp/q/kmma">kmma</a>]</li></ul><br><p style="clear: left">“Edward Kienholz’s “Five Car Stud,” on display at the Museum of Contemporary Art in Antwerp, Belgium, was one of the most controversial and mythologized artworks of the 1970s”</p><a class="datetime" href="https://b.hatena.ne.jp/ykkykym/20180927#bookmark-371816237"><span class="datetime-body">2018/09/27 23:08</span></a></blockquote><script src="https://b.st-hatena.com/js/comment-widget.js" charset="utf-8" async></script>

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