“The cover of “A Love Supreme” pictures Coltrane in front of a railing just outside the studio door.”

naotoj のブックマーク 2022/07/20 10:03

<blockquote class="hatena-bookmark-comment"><a class="comment-info" href="https://b.hatena.ne.jp/entry/4722642545424843554/comment/naotoj" data-user-id="naotoj" data-entry-url="https://b.hatena.ne.jp/entry/s/www.nytimes.com/2022/07/19/arts/music/rudy-van-gelder-studio.html" data-original-href="https://www.nytimes.com/2022/07/19/arts/music/rudy-van-gelder-studio.html" data-entry-favicon="https://cdn-ak2.favicon.st-hatena.com/64?url=https%3A%2F%2Fwww.nytimes.com%2F2022%2F07%2F19%2Farts%2Fmusic%2Frudy-van-gelder-studio.html" data-user-icon="/users/naotoj/profile.png">Plotting the Future of the Most Storied Studio in Jazz</a><br><p style="clear: left">“The cover of “A Love Supreme” pictures Coltrane in front of a railing just outside the studio door.”</p><a class="datetime" href="https://b.hatena.ne.jp/naotoj/20220720#bookmark-4722642545424843554"><span class="datetime-body">2022/07/20 10:03</span></a></blockquote><script src="https://b.st-hatena.com/js/comment-widget.js" charset="utf-8" async></script>

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Plotting the Future of the Most Storied Studio in Jazz

www.nytimes.com2022/07/20

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