The Vitruvian Man (Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. It was described by the art his
The Owl's Nest, Pen and bistre on paper, 140 × 196 mm. Rotterdam, Museum Boijmans Van Beuningen. Hieronymus Bosch (/haɪˈrɒnɪməs bɒʃ, bɔːʃ, bɔːs/,[1][2][3][4] Dutch: [ɦijeːˈroːnimʏz ˈbɔs] ⓘ;[a] born Jheronimus van Aken[5] [jeːˈroːnimʏs fɑn ˈaːkə(n)];[b] c. 1450 – 9 August 1516) was a Dutch painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school
L'Origine du monde ("The Origin of the World") is a picture painted in oil on canvas by the French artist Gustave Courbet in 1866. It is a close-up view of the vulva and abdomen of a naked woman, lying on a bed with legs spread. History[edit] Identity of the model[edit] Putative upper section of L'Origine du monde Art historians have speculated for years that Courbet's model for L'Origine du monde
The Ambassadors is a 1533 painting by Hans Holbein the Younger. Also known as Jean de Dinteville and Georges de Selve,[1] after the two people it portrays, it was created in the Tudor period, in the same year Elizabeth I was born. Franny Moyle speculates that Elizabeth's mother, Anne Boleyn, then Queen of England, might have commissioned it as a gift for Jean de Dinteville, the French ambassador,
High dynamic range (HDR), also known as wide dynamic range, extended dynamic range, or expanded dynamic range, is a signal with a higher dynamic range than usual. The term is often used in discussing the dynamic ranges of images, videos, audio or radio. It may also apply to the means of recording, processing, and reproducing such signals including analog and digitized signals.[1] In this context,
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