The year is 2020, a number that belongs to a sci-fi film in itself. I do not wish to summon these 20 directors for the sake of discussing the future of cinema. I simply wish to discuss the films they have already created (even though it may only be two or three films). But in the end, this inevitably concerns the future of cinema. Because, when we watched Wong Kar Wai’s second film Days of Being W
As vice chair of the Korean conglomerate CJ Group, Lee, 61, oversees its vast entertainment and media business. It’s difficult to find a link in the film, television and music industry chains in which CJ isn’t involved; the company has its fingers (or a whole hand) in production, financing, licensing, distribution — and even exhibition. But beyond the specific projects CJ is directly responsible f
Bong Joon Ho has long been one of South Korea’s best filmmakers thanks to acclaimed movies such as “Memories of Murder,” “Mother,” and “The Host,” but it wasn’t until 2019 that Bong become a worldwide cinema superstar. With “Parasite,” Bong vaulted himself into the topmost echelon of the world’s best directors working today. “Parasite” premiered to the world at the 2019 Cannes Film Festival, where
Extensive reshoots were underway last year when screenwriter John Whittington arrived on the London set of Dolittle, Universal’s franchise hopeful shepherded by Robert Downey Jr., who starred in and executive produced the $175 million film. The studio and a contingent of producers — said to be unsatisfied with initial cuts of a movie that was planned as a broad-audience family film reimagining of
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