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Digital Photo Professional 3.14.15 Updater For Mac ProDigital Photo Professional 3.14.15 Updater For Mac Windows 10Digital Photo Professional 3.14.15 Updater For MacCanon has announced an update for its professional editing and RAW converter software Digital Photo Professional. Version 2.0.3 fixes a problem of missing color tones in images taken with the EOS-1D or the EOS-5D and also changes a set
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Here's a news flash: Cell-phone cameras be damned, because a significant segment of the population is actually prioritizing sharp, well-exposed images over ultimate convenience. Since the introduction of the first Canon Digital Rebel in 2003, this quality-conscious segment has been turning to interchangeable-lens digital SLRs (DSLRs) to take the best possible photos. Back in the 1970s and 1980s,
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ホースマンの｢HORSEMAN LD for DSLRs｣は、ニコン製またはキャノン製のデジタル一眼レフカメラで、アオリ撮影を可能にするビューカメラです。 ｢アオリ撮影｣とは、風景写真や建築写真を撮る時に用いられるテクニックです。このLDを使えば、超高価なメガピクセルカメラを買わなくても、アオリ撮影を使ってデジタル一眼レフで写真を何枚か撮り、後で結合するという方法で、美しい写真を作ることができます。 ライズ・フォール、シフト撮影全てに対応。チルト／スイング軸はデジカメのセンサー面に設計されているため、ピント再調整の必要がありません。 また、カメラ移動の際には、精度の高いラックピニオン駆動つきのモノレールにより、画面のズレを最小限におさえているとのこと。 気になるお値段は約20万円。プロのカメラマンには必須アイテムになるかもしれませんね。 Product Page [Horseman via
米国キヤノンChuck Westfall氏がEOS 5Dsの5060万画素センサーは完全自社設計・製造と発言 | Dmaniax.com
発表前からキヤノンの新型センサーはソニーとのコラボレーションであるという噂が流れていました。 また先日CanonWatchがCanon EOS 5Dsに搭載されている5060万画素イメージセンサーの製造はソニーで行われてるという情報を流しました。 今回photorumorsのサイトで、shutterbug.comがChuck Westfallにその件を確認したという情報を引用し掲載しました。 Prior to the Canon EOS 5Ds announcement, several websites reported that the new 50MP sensor was developed with/by Sony. Apparently this is not the case – the sensor was developed and produced “completel
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DxOMark Sensor ScoreのデータベースにCanon EOS 5D Mark IVのテストスコアが掲載されました。 Canon’s iconic EOS 5D series of full-frame DSLRs have had wide appeal with both pro and enthusiast photographers, blending great image quality and good features in a more affordable mid-range body design. Boasting a significant number of upgrades over its predecessor, including increased resolution, an updated autofocus system, Dual
Did you know? DSLRs are powerful tools for video making, as long as your settings are right for the available light .
Did you know? DSLRs are powerful tools for video making, as long as your settings are right for the available light .
小さいものを大きく写せるマクロレンズ 昆虫や動植物など被写体をを大きく捉えることができるマクロレンズ。 肉眼では見れないくらいの世界を写すこともできます。 では、普通のレンズとどう違うのか？ 「最大撮影倍率○○倍」の違いです。 ・標準的なものであれば 最大撮影倍率：0.25倍(1:4／1/4倍) ・マクロ機能の付いたものであれば 最大撮影倍率：0.5倍(1:2／1/2倍)〜0.75倍(1:1.33／1/1.33倍) ・等倍マクロレンズなら 最大撮影倍率：1.0倍(1:1／1/1倍) キヤノンEOS機用マクロレンズ 純正等倍マクロレンズ(これを買えれば間違いないのだが)
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Did you know? DSLRs are powerful tools for video making, as long as your settings are right for the available light .
Did you know? DSLRs are powerful tools for video making, as long as your settings are right for the available light .
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“Nikon's new 200-500mm super-telephoto has a price we didn't expect” - GizAntenna
Nikon has announced three new FX format lenses for its full-frame DSLRs such as the D750 and D810, though all three can also be used on smaller format DX Nikons like the D7200, They consist of a telephoto super-zoom, a replacement for the long-running 24- Read more on “TechRadar”
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【ニコン初心者必見】キットレンズよりもっとボケの大きいレンズ欲しい！(コスパ重視編) | DSLR's JOURNAL
今使っているズームレンズより明るいレンズが欲しいなと思って 明るいズームレンズをさがしてみた。 一眼レフを初めて、F値というものを理解し始めるとボケの大きい明るいレンズが欲しくなります。 初めたころは本体とレンズ２本 ・エントリー一眼レフ ・(キットレンズ)標準ズーム(18-55mmなど) ・(キットレンズ)望遠ズーム(55-200mmなど) を持っているかと思います。 18-55mmでF値が3.5〜5.6。これよりボケの大きい綺麗な写真が撮りたい！ 純正の明るいズームレンズは高い ニコン純正 16万円の高画質レンズかとりあえずの３万円レンズか？ 純正品は画質やオートフォーカスの面からも価格なりの優位な点があると思いますが、何せ高いです。 ５倍の価格差を埋めるための価値を見いだせますか？ 「AF-S DX Zoom Nikkor 17-55mm f/2.8G IF-ED」を選ぶ理由 高い純
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CIPAが、2018年2月のデジタルカメラの出荷実績を発表しています。 ･CIPA: DSLRs outperformed mirrorless in February （DPReview） 2月のCIPAのレポートが公開され、全体的にデジタルカメラ業界はあまり芳しくない。世界のデジタルスチルカメラの出荷数は、前年同月比で26.6%ダウンしている。これは悪いニュースだ。 良いニュースは、落ち込みの大部分は、コンパクトカメラの崩壊（44.7%の落ち込み）によるものだと言うことで、レンズ交換式に関しては前年同月比で落ち込みは5.4%で、若干明るい状況だ。レンズ交換式のうち一眼レフの販売台数は0.1%増、一方でミラーレスは15.8%落ち込んでいる。そして、2016年の2月と比べると全体で17.3%上回っている。 全体的に、2017年終盤の弱さが、2018年初めの弱さにつながっているように見える。
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Time lapse -- a camera feature that lets you condense very long periods of continuous capture in short clips -- is something of a rarity, even with full-blown DSLRs. Read more on “Phone Arena”
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