Following an illustrious career that includes setting up a techno university and designing runway tracks for Prada, RICHIE HAWTIN talks to SHANE ANDERSON about scoring for Centre Pompidou, losing a sense of futurism, and coming from the school of James Turrell, Mark Rothko, and Anish Kapoor. In MAGGIE DUNLAP’s work, you will find the human body—sometimes her own—depicted as vulnerable, subjected,