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Web typography is as rich, versatile and accessible as ever before. Yet new opportunities introduce new complexity; and with new implementation challenges, we are all spurred to reconsider our practices. Now, we’ve reviewed the original study and explored how Web typography has changed over these years. Good typography has always been a defining aspect of effective Web design, and this holds true
Part I: Showcase I have spent the last month searching, stumbling, noting, bookmarking and analysing in a quest to find 15 Excellent examples of Web Typography. I’ve chosen them because they make excellent use of type. Some of the examples mimic the typography of print, while others actually leverage web technology, smart CSS and delicious HTML to make their pages not only aesthetically pleasing,
Design Project are a branding and digital agency that define, elevate, enrich, shape and revitalise brands using the transformative power of design. Our mission is to help our clients big and small to communicate their value, drive growth and get results. We deliver strategy, branding, websites, social, content, campaigns, packaging and more. Define We bring strategy to focus your brand, identity
Just amazing…:) We have interviewed Si Scott on this blog approximately one year ago, and since then, he kept getting better and better. He designed/illustrated & art directed this Resonate series, for a new monthly music collective which is going to be released every month in a poster packaging format with a different animal each time. Look at these “just arrived” images of some of his latest wor
95% of the information on the web is written language. It is only logical to say that a web designer should get good training in the main discipline of shaping written information, in other words: Typography. Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites: Today we are inundated with
Welcome to the temporary website of Andrea Tinnes. Andrea is a Berlin-based typographer, type designer, and educator, recognized for her design approach that combines visual research, language, and experimental printing, including the ‘Library of Shapes, Texts and Structures’, an ever-expanding personal design library. Since 2007, Andrea has taught as a professor of Type and Typography at Burg Gie
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which recently celebrated its 50th birthday) as part of a larger conversation about the way type affects our lives. Helvetica is currently screening at film festivals, museums, design conferences, and cinemas worldwide, and is now available on DV
Barnbrook is one of Britain’s most well-known and highly regarded independent creative studios, based in London. We work with a variety of clients across the globe and projects of varying scales. From overseeing the brand identity and environmental graphics of Art Basel and Roppongi Hills to our much-discussed David Bowie album covers. Barnbrook’s contribution to design was recognised with a retro
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