Roseanne has crafted an iconic persona within the raw comedic landscape of modern American life through her portrayal as a fierce working-class domestic goddess, and beyond. As THE voice for the American working class for nearly 40 years, Roseanne has constantly been defamed by the establishment who rejects individualism, and empowering the American people. She is sure to offend, challenge, trigge

Roseanne has crafted an iconic persona within the raw comedic landscape of modern American life through her portrayal as a fierce working-class domestic goddess, and beyond. As THE voice for the American working class for nearly 40 years, Roseanne has constantly been defamed by the establishment who rejects individualism, and empowering the American people. She is sure to offend, challenge, trigge

Roseanne has crafted an iconic persona within the raw comedic landscape of modern American life through her portrayal as a fierce working-class domestic goddess, and beyond. As THE voice for the American working class for nearly 40 years, Roseanne has constantly been defamed by the establishment who rejects individualism, and empowering the American people. She is sure to offend, challenge, trigge

Roseanne has crafted an iconic persona within the raw comedic landscape of modern American life through her portrayal as a fierce working-class domestic goddess, and beyond. As THE voice for the American working class for nearly 40 years, Roseanne has constantly been defamed by the establishment who rejects individualism, and empowering the American people. She is sure to offend, challenge, trigge

Roseanne has crafted an iconic persona within the raw comedic landscape of modern American life through her portrayal as a fierce working-class domestic goddess, and beyond. As THE voice for the American working class for nearly 40 years, Roseanne has constantly been defamed by the establishment who rejects individualism, and empowering the American people. She is sure to offend, challenge, trigge

Roseanne has crafted an iconic persona within the raw comedic landscape of modern American life through her portrayal as a fierce working-class domestic goddess, and beyond. As THE voice for the American working class for nearly 40 years, Roseanne has constantly been defamed by the establishment who rejects individualism, and empowering the American people. She is sure to offend, challenge, trigge

Roseanne has crafted an iconic persona within the raw comedic landscape of modern American life through her portrayal as a fierce working-class domestic goddess, and beyond. As THE voice for the American working class for nearly 40 years, Roseanne has constantly been defamed by the establishment who rejects individualism, and empowering the American people. She is sure to offend, challenge, trigge

Roseanne has crafted an iconic persona within the raw comedic landscape of modern American life through her portrayal as a fierce working-class domestic goddess, and beyond. As THE voice for the American working class for nearly 40 years, Roseanne has constantly been defamed by the establishment who rejects individualism, and empowering the American people. She is sure to offend, challenge, trigge

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations

“Our Time” Share your world with us: Listen to members of the New York Institute for Special Education Choir, being conducted by Naum Shulman, in performance singing, “Our Time” by Stephen Sondheim. Project Access is not owned by any one institution or individual. It’s aim is to reflect the vision of its users through a platform for direct engagement among cultural institutions, arts organizations