MIT Media Lab Identity [Processing]
In 2010 MIT Media Lab approached TheGreenEyl and E Roon Kang to update their identity for the lab's 25th anniversary. Previous identity components were designed in 1984 by Jaqueline Casey, but there never was an actual logo per se. The team developed an algorithmic logo using Processing (founded by Ben Fry and Casey Reas in 2001 while at the MIT Media Lab) in an effort to capture the dynamism and
![MIT Media Lab Identity [Processing]](https://cdn-ak-scissors.b.st-hatena.com/image/square/816e4485d74bfed9bfd79b50c1c83784d398966d/height=288;version=1;width=512/https%3A%2F%2Fwww.creativeapplications.net%2Fwp-content%2Fuploads%2F2011%2F03%2Fmit001.png)
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Curious philomath; artist; musician; researcher; AI whisperer; Artist creating Speculative Simulations & Data Dramatizations exploring intricacies of human-machine entanglements; perception and states of consciousness; the tensions between ecology, technology, science & spirituality; using AI to reflect on the human condition; PhD from Goldsmiths University of London in artistic and creative appli
Sand Traveler | Gallery of Computation
The Sand Traveler is a rendering of 1,000 traveling particles, each in pursuit of another. Over time, patterns of travel are exposed as sweeping paths of color. The Sand Traveler uses a pursuit algorithm similar to the City Traveler. The significant difference is the way that pixels are laid down between the travelers. Three variations follow:
Exhibition Archives \ Processing.org
Exhibition. A curated collection of projects created with Processing. New software added each month. Curated by Filip Visnjic of CreativeApplications.net Pour Reception by Tore Knudsen, Simone Okholm Hansen and Victor Permild ‘Pour Reception’ is a playful radio that uses machine learning and tangible computing to challenge our cultural understanding of what an interface is and can be. Two glasses
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