In this regular print feature, T Magazine traces a visual theme through history, across the disciplines of art, design and culture, and onto the runway. In this regular print feature, T Magazine traces a visual theme through history, across the disciplines of art, design and culture, and onto the runway.

WASHINGTON — Benjamin Franklin did it. Henry Ford did it. And American life is built on the faith that others can do it, too: rise from humble origins to economic heights. “Movin’ on up,” George Jefferson-style, is not only a sitcom song but a civil religion. But many researchers have reached a conclusion that turns conventional wisdom on its head: Americans enjoy less economic mobility than their

Since the 19th century, the common conception of “the author” has gone something like this: A young man, in his garret, writes furiously, crumpling up papers and throwing them on the floor, losing track of time, heedless of the public, obsessed with his own imagination. He is aloof, elusive, a man whom you know only by his writing and the portrait in his book. Writers themselves have sustained thi

I prepared for my first-ever trip to Japan, this summer, almost entirely by immersing myself in the work of Haruki Murakami. This turned out to be a horrible idea. Under the influence of Murakami, I arrived in Tokyo expecting Barcelona or Paris or Berlin — a cosmopolitan world capital whose straight-talking citizens were fluent not only in English but also in all the nooks and crannies of Western