Surveying the debates about race that enliven and confuse daily life in South Africa, this album of underground comics brings together artwork and pointed satire to tackle colonialism and its ongoing legacy. The book adopts the style of Hergé's Tintin for its cover, but that innocent first impression is soon replaced by what's inside: a relentless critique of the hypocrisy and racist attitudes of
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the
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