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"Ours is a time of connection," the woman called the Homebody asserts in the insightful monologue that opens Tony Kushner's "Homebody/Kabul." "All must be touched," the Englishwoman continues. "All touch corrupts. All must be corrupted." Theater artists have responded to Sept. 11 in a wide variety of ways, from personal accounts (monologuist Reno's blistering "Rebel Without a Pause") to documentar
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