"Brutalism, as Pevsner somewhat irritably observed, was Expressionism revived, Neo-Expressionism. This is perhaps nowhere more apparent than in the work of the virtuoso Gottfried Böhm, most evidently in his Mariendom at Neviges," said critic Jonathan Meades. Photograph by Seier+Seier"It is a building of thrilling geometries whose exterior borrows from geological formations, penitents' hoods and fo
リリース、障害情報などのサービスのお知らせ
最新の人気エントリーの配信
処理を実行中です
j次のブックマーク
k前のブックマーク
lあとで読む
eコメント一覧を開く
oページを開く