Prologue for Robin Hood
Prologue’s treatment for Robin Hood is a study in patient analogue work. Ridley Scott called on the studio create Legends to open the film as well as End and Main Titles. Ridley’s vision for the film required Prologue to treat all the type in a handmade fashion, this meant taking the type out of the computer for most of the process and filming and treating them as handmade elements. What stuck out
Prologue: Iron Man 2
To see the full collection of work Prologue created for Iron Man 2, head over to Prologue’s site. For those of you who’ve seen Iron Man 2 (has anyone not seen it?), you know that Robert Downey Jr. shares the screen with Mickey Rourke and Don Cheadle for some of the film’s most intense sequences. But the real co-stars—the real palladium in Iron Man’s chest—are the ubiquitous motion design elements
Motionographer® Blind’s Heart of Stone
“Heart of Stone” marks the second collaboration between Blind Director/Owner Chris Do and Danish rock duo The Raveonettes. To refresh your memory, their first music video with the indie rockers came in the form of “Black / White” just over two years ago. Watch that one here. With the latest, Blind visualized a tragic tale in which one man’s sadness has transformed to apathy. His heart becomes ston
Motionographer® EP Banter: Talent, Trends & Technique
What is an Executive Producer? This role may go unnoticed by many of us, but the success of a company is often defined by this individual. They shape the culture of the production company they lead. In addition to their sales and strategic roles, they must define and reinforce the creative ethos of the company. This begins with bringing in the right talent and nurturing them to their full potentia
Motionographer® Motion504’s Main Title for AICP: 19th Century Typesetting with “Kinetic Type”
Minneapolis broadcast design & animation studio Motion504 coined the main titles for the AICP Show, The Art & Technique of the American Commercial, by paying a visit to a dark and unassuming steampunk-style type foundry. In the manner of Victorian craftsmanship, the title sequence introduces each reception sponsor through the invented art of “moving type” by the means of various 19th century widge
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Blur Talks: “The Girl with the Dragon Tattoo” Titles
Bill Maher’s ‘Irritable Bowl Syndrome’ by Fraser Davidson
Jobs page updated, now semi-automatic
TRON Legacy In-Depth with David Lewandowski
Motionographer® Mark Zibert & Gary Thomas (Crush) for Sapporo
Motionographer® LAIKA: Tostitos “The Amazing Flamenco Chef”
Motionographer® The Games We Play Q&A
Motionographer® Honda’s “Everything”: Cuts As Craft
Motionographer® Elastic / A52: Honda Accord “Instruments”
Motionographer® Shilo: Under Armour “ColdGear, Lindsey Vonn + Dick’s”
Motionographer® Bavaria Beer “Drop”
Motionographer® Flairs – Truckers Delight
Motionographer® I AM by Tronic
Motionographer® yU+co: “Cirque du Freak” Main Title
Motionographer® Christian Borstlap Stripes for Stamps