Fabrice Aragno is credited as the cinematographer, co-editor, and co-producer of Jean-Luc Godard’s The Image Book—both the most abstract and the most nakedly personal of the collage films that have spun off from Histoire(s) du Cinema. In making The Image Book, Godard used the same analog recoding equipment that he used for the previous collage films, handing his edit over to Aragno for digital re-