アドビ―Dreamweaverデベロッパーセンター
Enhance and extend DreamweaverDreamweaver provides its own API as well as the Common Extensibility Platform (CEP), and offers you the flexibility of using C++, HTML, CSS, and JS to build extensions for Dreamweaver. You can extend the Dreamweaver UI, add powerful features for building web apps and automate entire cross-application workflows. Build custom web development toolsImport database data in
Increase Your Font Stacks With Font Matrix
Web pages built in plain old HTML and CSS are displayed using only the fonts installed on users’ computers (@font-face implementations excepted). To enable this, CSS provides the font-family property for specifying fonts in order of preference (often known as a font stack). For example: h1 {font-family: 'Egyptienne F', Cambria, Georgia, serif} So in the above rule, headings will be displayed in Eg
Five simple steps to better typography - Part 2 - Mark Boulton
Hanging punctuation is an area of typographic design which has suffered at the hands of certain software products. It’s a term which refers to glyph positioning to create the illusion of a uniform edge of text. It’s most commonly used for pull-quotes, but I feel the most neglected is that of bulleted lists. With the advent of desktop publishing it became suddenly very easy and cost-effective to pr
How to size text using ems
Text for the screen is sized with CSS in terms of pixels, ems or keywords. As most of us know, sizing with pixels is easy: get your selector and give it a font-size – no more thought required. Sizing with keywords is more complicated and requires a few workarounds, but you’re in luck as the techniques are well documented. That leaves ems. At this point people often leg it. ‘Ems are too inconsisten
Hints of fonts on the web -- Section 6
セリフ体は，起筆や終筆部分に独特の三角形の装飾があるものが総称される。CSS では，こういった特徴のフォントファミリを一般フォントファミリ“serif”で総称する。 セリフ体は，一般に字画に太いものと細いものとがある。解像度の高い印刷媒体上で重用される。 有名で，広く使用されているセリフ欧文書体。ファミリ名は“Times”。Mac OS における標準的な書体のひとつ。 Times New Roman と酷似するが，“イタリックの小文字の‘z’”の文字が大きく異なる。Windows システムではこれを指定すると Times New Roman で代用されることがある。 URW++ 社の Times 互換フォントは“Nimbus Roman No9 L”である。 これも Times と並んでポピュラーな書体。ファミリ名は“Times New Roman”。Windows に標準的にインストール
SimpleBits / Use the Best Available Ampersand
Use the Best Available Ampersand I love ampersands. And interest in this quirky character seems to be on the rise as of late. Case in point: Just last week, I purchased not one, but two t-shirts adorned with nothing more than an ampersand. That’s telling, no? For much of last year, I had a little portion of a presentation dedicated to using CSS to serve up alternate, compelling ampersands. It’s al
15 Great Examples of Web Typography | i love typography, the typography blog
Welcome to ILT’s second-quarter roundup of sites that use type well. It may be that not all the sites listed here are to your taste, but it’s hoped that something—even a detail somewhere—will inspire you. Invariably, these lists are subjective, so if you disagree, then feel free to do so in the comments below. If this list provokes discussion of what constitutes good web typography, then all the b
How to Size Text in CSS
There’s been a welcome resurgence of interest in web typography over the past year or so, with many articles and conference talks offering techniques and theory. Frequently asserted is the notion that good typography requires accurate control of font size and line-height. But this is the web: it’s a special medium where the reader can have as much control as the designer—the implication being that
Typetester’s base font size | maratz.com
As much as I’m proud of the Typetester’s popularity and the recent revival of typography for the screen, there’s still a significant number of web designers, who are confused about the TT’s base font size. Until I place default sizing control into the interface, here’s a quick clarification. The base size control is now added. The base font size of the TT is 10px, which means 1em is 10px, 1.2em is
Compose to a Vertical Rhythm
“Space in typography is like time in music. It is infinitely divisible, but a few proportional intervals can be much more useful than a limitless choice of arbitrary quantities.” So says the typographer Robert Bringhurst, and just as regular use of time provides rhythm in music, so regular use of space provides rhythm in typography, and without rhythm the listener, or the reader, becomes disorient
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http://www.markboulton.co.uk/present/web2berlin
Vertical Text using CSS - Mozilla - Post.Byes
Knockout Type - Thin Is Always In