These days, an American writer, like the politicians he votes for, needs a narrative – not a story to tell, but one he has lived, one that makes him saleable. McCain purveyed the tale of his travails as a prisoner of war, Obama the saga of his multicultural family. Gary Shteyngart, too, has what he calls a "special story". It is the source of his quirky uniqueness and of his antic creativity and h
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