VFX techniques: how to build a photorealistic 3D city | CG Channel
Matte painting TD and environment lead Jeremy Boissinot shares his workflow and provides practical tips for approaching a big photorealistic shot efficiently, based on his work on Jack the Giant Slayer for Rodeo FX. Although Bryan Singer’s 2013 movie Jack the Giant Slayer is set in a fantasy world, one key sequence takes place in contemporary London. In an impressive virtual camera shot that appea
Behind the Scenes: Percy Jackson and the Lightning Thief | CG Channel
An inside look at the spectacular animation of the Hydra, water effects, and the creation of a virtual New York by Digital Domain. Our latest behind the scenes feature Digital Domain takes a look at environmental projection mapping for New York, turning water dynamics into a super power, and in a departure from what DD is traditionally known for, the team took on animation and creation of monsters
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Can you give us an overview of Digital Domains work on 2012? David Stephens: The bulk of the work picks up basically about half way through the Escape from LA sequence. We actually pick up with a nice shot flying over the Golf course which is at the base of the Santa Monica airport. Which you see a big crack open up and swallow several houses and trees. Then it picks up basically at the airport. T
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