Only now, with The Rossettis exhibition opening on 6 April at Tate Britain, will Siddal finally be judged for what she really was and achieved – a considerable artist in her own right. Admittedly, she had some bouts of poor health and suffered, not surprisingly, after giving birth to a stillborn daughter in 1861. However, this exhibition, with several previously unseen works, will show Siddal as a
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