SIGGRAPH 2018 Links
Open Access SIGGRAPH 2018 Conference Content Recordings Cesium: 3D Globes on the Web Color Mavens Advise on Digital Media Creation and Tools Deep Learning: A Crash Course Demoscene Worldwide Fluids 2: Vortex Boogaloo Introduction to DirectX Raytracing Keynote Address Khronos Group BOF Sessions Ohooo Shiny! Real-Time Live! SideFX: Houdini HIVE The Present and Future of Real-Time Graphics for Film,
Self Shadow
$$ \newcommand{\fss }{\color{gray}{f_\mathrm{ss}}} \newcommand{\fssp}{\color{gray}{f_\mathrm{ss}'}} \newcommand{\fssoi }{\color{gray}{f_\mathrm{ss}(\mu_o, \mu_i)}} \newcommand{\fms }{\color{purple}{f_\mathrm{ms}}} \newcommand{\E }{\color{olive}{E}} \newcommand{\Emo}{\color{olive}{E(\mu_o)}} \newcommand{\Emi}{\color{olive}{E(\mu_i)}} \newcommand{\Em }{\color{olive}{E(\mu)}} \newcommand{\Eavg}{\colo
SIGGRAPH 2017 Course: Physically Based Shading in Theory and Practice
© DreamWorks Animation 2017. Course Description Physically based shading has transformed the way we approach production rendering and simplified the lives of artists in the process. By adhering to physically based, energy-conserving models, one can easily create realistic materials that maintain their properties under a variety of lighting conditions. In contrast, traditional ad hoc models have re
SIGGRAPH 2017 Course: Physically Based Shading in Theory and Practice - Self Shadow
SIGGRAPH 2017 Course: Physically Based Shading in Theory and Practice © DreamWorks Animation 2017. Course Description Physically based shading has transformed the way we approach production rendering and simplified the lives of artists in the process. By adhering to physically based, energy-conserving models, one can easily create realistic materials that maintain their properties under a variety
SIGGRAPH 2015 Course: Physically Based Shading in Theory and Practice
© Disney 2014. Course Description Physically based shading is transforming the way we approach production rendering, and simplifying the lives of artists in the process. By adhering to physically based, energy-conserving models, one can easily create realistic materials that maintain their properties under a variety of lighting conditions. In contrast, traditional ad hoc models have required exten
Blending in Detail
The x, why, z It’s a seemly simple problem: given two normal maps, how do you combine them? In particular, how do you add detail to a base normal map in a consistent way? We’ll be examining several popular methods as well as covering a new approach, Reoriented Normal Mapping, that does things a little differently. This isn’t an exhaustive survey with all the answers, but hopefully we’ll encourage
SIGGRAPH 2016 Links
Open Access SIGGRAPH 2016 Conference Content (for a limited time) Recordings Courses: Physically Based Shading in Theory and Practice Talks: Brain & Brawn Live Streaming Sessions (free registration required) Courses A Practical Introduction to Frequency Analysis of Light Transport Advances in Real-Time Rendering An Elementary Introduction to Matrix Exponential for CG An Introduction to Graphics Pr
SIGGRAPH 2016 Course: Physically Based Shading in Theory and Practice
© Disney/Pixar 2016. Course Description Physically based shading has transformed the way we approach production rendering and simplified the lives of artists in the process. By adhering to physically based, energy-conserving models, one can easily create realistic materials that maintain their properties under a variety of lighting conditions. In contrast, traditional ad hoc models have required e
SIGGRAPH 2012 Course: Practical Physically Based Shading in Film and Game Production
Course Description Physically based shading is becoming of increasing importance to both film and game production. By adhering to physically based, energy-conserving shading models, one can easily create high quality, realistic materials that maintain that quality under a variety of lighting environments. Traditional ad hoc models have required extensive tweaking to achieve the same result, thus i
SIGGRAPH 2014 Course: Physically Based Shading in Theory and Practice
Course Description Physically based shading is transforming the way we approach production rendering, and simplifying the lives of artists in the process. By adhering to physically based, energy-conserving models, one can easily create realistic materials that maintain their properties under a variety of lighting conditions. In contrast, traditional ad hoc models have required extensive tweaking t
SIGGRAPH 2014 Links
As before, I’m collecting links to SIGGRAPH content: courses, talks, posters, etc. I’ll continue to update the post as new stuff appears; if you’ve seen anything that’s not here, please let me know in the comments. Update: In a welcome change this year, conference content is freely available from the ACM Digital Library (albeit via Author-Izer, so there’s a tedious countdown timer for each link).
SIGGRAPH 2013 Course: Physically Based Shading in Theory and Practice
© Disney/Pixar 2013. Course Description Physically based shading is increasingly important in both film and game production. By adhering to physically based, energy-conserving shading models, one can easily create high-quality, realistic materials that maintain their quality in a variety of lighting environments. Traditional ad hoc models have required extensive tweaking to achieve the same result
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SIGGRAPH 2020 Links
Shader Sandbox
Shader Sandbox
Physically-Based Shading at Disney by Brent Burley, Walt Disney Animation Studios [Revised Aug 31, 2012. Corrected normalization factor in Equation 4.] 1 Introduction Following our success with physically-based hair shading on Tangled [27], we began cons