This movie by the French film-maker Sylvain Chomet is an act of homage and an act of cinematic love: a classically conceived, hand-drawn animation based on an unproduced script by Jacques Tati, written in 1956: a manuscript evidently guarded for more than 50 years by his family, and particularly his
White Material is consistent with this vision of the role of cinema. It is set in an unnamed African country about to collapse into civil war. This is a blasted, haunted landscape, populated by demonic child soldiers and a shadowy guerrilla army that slaughters in the bush or under the cover of nigh