Fluid Engine Development
Intro From the splash of breaking waves to turbulent swirling smoke, the mathematical dynamics of fluids are varied and continue to be one of the most challenging aspects of animation. Fluid Engine Development demonstrates how to create a working fluid engine through the use of particles and grids, and even a combination of the two. Core algorithms are explained from a developer’s perspective in a
Labs
The mission of Unity Labs is to explore how game authoring, AI, deep learning, computer visualization, VR, AR, and storytelling will evolve over the next decade, radically transforming how games will be created and played. Unity Labs creates prototypes, releases new technologies, publishes scientific papers, gives talks, and works with academia and partners on advanced research. We celebrate moons
ゲーム向けの標準的な物理ベースシェーディングについての個人的な意見 - OLD hanecci’s blog : 旧 はねっちブログ
概要 まず, 「ゲーム向けの標準的な物理ベースシェーディング(PBS)の実運用時の良し悪し」については実際に手を動かしているゲーム開発者(プログラマ, アーティスト)なら既にわかっているかと思います. 一方で Twitter のタイムラインを見ていたときに, ゲーム向けの標準的な物理ベースシェーディング(PBS)について「物理的に正しい」と勘違いしている人がいそうということがわかりました. そういうのは普段だったら面倒なので適当にスルーしているのですが(汗), たまたまゲーム業界に影響力がありそうな人が言っていて「これはあんまり良くないなぁ...」と思いました. あと 「物理的に正しい」という言い方だと, 妙に「万能で制限がないようなイメージ」もあるかと思います. ( その抽象的な言葉で思考が停止することがあるのも良くないと思っています. ) ということで, ちょっとここに個人的な意見を書
Physically Based and Unified Volumetric Rendering in Frostbite
Talk by Sebastien Hillaire at Electronic Arts for SIGGRAPH 2015 in the Advances in Real-time Rendering course.Read less
SIGGRAPH 2012 Course: Practical Physically Based Shading in Film and Game Production
Course Description Physically based shading is becoming of increasing importance to both film and game production. By adhering to physically based, energy-conserving shading models, one can easily create high quality, realistic materials that maintain that quality under a variety of lighting environments. Traditional ad hoc models have required extensive tweaking to achieve the same result, thus i
Filmic Games » How To Split Specular And Diffuse In Real Images
File this under things that people think is harder than it actually is. One thing I’ve got set up at home is the ability to use polarized light to split out the diffuse and specular components from real images. Artists spend lots of time looking at photo reference, but splitting the specular and diffuse really helps you understand a material. In the title image, the left is the diffuse light only,
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GitHub - mmp/pbrt-v3: Source code for pbrt, the renderer described in the third edition of "Physically Based Rendering: From Theory To Implementation", by Matt Pharr, Wenzel Jakob, and Greg Humphreys.
Khronos Releases glTF 2.0 Specification
Physically Based and Unified Volumetric Rendering in Frostbite
Water drop 1 – Observe rainy world
Physically Based Rendering
http://blog.stevemcauley.com/2011/12/03/energy-conserving-wrapped-diffuse/
Amazon.co.jp: Physically Based Rendering: From Theory to Implementation (English Edition): Pharr, Matt, Jakob, Wenzel, Humphreys, Greg: Digital Ebook Purchas
Troubleshooting Physically-Based Content
Troubleshooting physically-based content in Enlighten - MCV/DEVELOP
Moving Frostbite to Physically Based Rendering
Physically based rendering in games
White balance and physically based rendering pipelines. Part 1 – introduction.
White balance and physically based rendering pipelines. Part 2 – practical problems.
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