MIT Visualizing Cultures
Visualizing Cultures was launched at MIT in 2002 to explore the potential of the Web for developing innovative image-driven scholarship and learning. The VC mission is to use new technology and hitherto inaccessible visual materials to reconstruct the past as people of the time visualized the world (or imagined it to be). Topical units to date focus on Japan in the modern world and early-modern Ch
MIT Visualizing Cultures
Marketing Beauty from the 1910s to 1930 Ads & Posters, 1914–1930 Japan experienced an economic boom during World War One (1914 to 1918), and with this emerged new middle class consumers, particularly in the cities. Despite the temporary devastation wrought by the Great Kantō Earthquake of 1923 that destroyed large portions of the capital Tokyo and surrounding areas, the ensuing post-earthquake “re
MIT Visualizing Cultures
During the 1950s, a now little-known genre of “reportage painting” flourished in Japan, involving left-wing artists who rejected conventional aesthetics while bearing critical witness to their country’s immersion in the unfolding Cold War. This unit introduces the powerful, uncompromising artwork of four painters associated with this movement.
MIT Visualizing Cultures
In May and June of 1960 Japan was rocked by some of the largest protests in its history. They erupted over the passage of a revised security treaty between Japan and the United States, titled the Treaty of Mutual Cooperation and Security (Sōgo Kyōryoku Oyobi Anzen Hoshō Jōyaku), and have become known as the “Anpo” protests from the Japanese shorthand for that treaty. Hundreds of thousands of peopl
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MIT Visualizing Cultures
