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Inkwell with Twelve Zodiac Medallions late 12th–early 13th century On view at The Met Fifth Avenue in Gallery 453 The twelve signs of the zodiac are arranged around the surface of the vessel in groups of four, each surrounding a central medallion with a horsemen or a falconer. Virgo (al-sunbula, "ear of corn") is the only sign of the Zodiac whose iconography is very different from that of Western
Press release Metropolitan Museum Initiative Provides Free Access to 400,000 Digital Images New Web Program Allows Free Image Download for Non-Commercial Use (New York, May 16, 2014)—Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that more than 400,000 high-resolution digital images of public domain works in the Museum’s world-renowned collection may be dow
Usuyuki Jasper Johns American Publisher Jasper Johns American Publisher Simca Print Artists Inc. American 1981 Not on view Johns began experimenting with printmaking early in his career and quickly mastered the medium, using traditional techniques to produce innovative works. "Usuyuki," Japanese for "light snow," is the title given to a series of prints that Johns created in collaboration with Sim
Exhibition Catalogue Showcasing the influence of religious art on innovative fashions, this two-volume set explores the role of spirituality in contemporary culture. Buy Now The Costume Institute's spring 2018 exhibition—at The Met Fifth Avenue and The Met Cloisters—features a dialogue between fashion and medieval art from The Met collection to examine fashion's ongoing engagement with the devotio
Roberts traveled up the Nile in 1838 and reached Abu Simbel in Nubia on November 8. One of the local monuments he sketched during three days in the area was the small Roman era temple at Dendur. After returning to London in 1839, the artist created detailed watercolors that Louis Haghe used to create lithographs. Eighty-five Egyptian subjects, published 1848–49, included "The Temple of Dandour, Nu
Late in his career, the landscape painter Harpignies made repeated visits to Menton, a resort town on the French Riviera. This "souvenir from Menton," as inscribed on the reverse, offers only a glimpse of the blue Mediterranean, focusing instead on the play of light across the group of trees. A practitioner of watercolor since the mid-century, the artist used nuanced tonal values to convey a range
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