(#6) Frank Horvat
Description Frank Horvat 'Shoe and Eiffel Tower (A)', Paris, 1974 Silver print Image 34.5 x 51 cm (13½ x 20 in.);sheet 42 x 59.5 cm (16½ x 23½ in.) Pigment print, printed 2017. Signed and numbered 18/30 in black ink in the margin; signed, titled and dated in pencil on the verso. This print is in overall excellent condition. "In response to your inquiry, we are pleased to provide you with a general
(#29) Saul Leiter
Description Saul Leiter 'Shopper' 1953 Chromogenic print Image 34 x 22.5 cm (13½ x 8¾ in.);sheet 35.5 x 28 cm (14 x 11 in.) Chromogenic print, printed later. Signed and with annotations in an unknown hand in black ink on the verso. Matted. This print in is overall excellent condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property
(#30) Saul Leiter
Description Saul Leiter 'Phone Call', 1957 Chromogenic print Image 23 x 34.5 cm 9 x 13½ in.);sheet 28 x 35.5 cm (11 x 14 in.) Chromogenic print, printed later. Signed and with annotations in an unknown hand in black ink on the verso. Matted. This print is in overall excellent condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the proper
(#44) Idris Khan
Description Idris Khan 'Black Horizon', 2010 Bromide print Image 58.5 x 58.5 cm (23 x 23 in.);sheet 62 x 62 cm (24½ x 24½ in.) Bromide print mounted to aluminium. Signed, dated and numbered 5/6 in ink on the reverse of the mount. Matted and framed. This work is in overall excellent condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the
(#49) Ruud van Empel
Description Ruud van Empel 'Theatre #7', 2012 Dye-destruction print 100 x 300 cm (39¼ x 118 in.) Dye-destruction print, face-mounted to Plexiglas and flush-mounted to aluminium. Signed, titled, dated and numbered 3/7 in black pen on the artist's label affixed to the back of the mount. This beautiful, bright and intense colour rich work is in overall excellent condition. Please note that this work
(#50) William Eggleston
Description William Eggleston 'Untitled' (Woman Walking on Sidewalk), Las Vegas NV (from Dust Bells II), circa 1965-98 Chromogenic print Image 45 x 30.5 cm (17¾ x 11¾ in.);sheet 50.5 x 40 cm (19¾ x 15¾ in.) Dye transfer print, printed 2004. Signed in black ink in the margin, dated and numbered 8/15 in black ink in the artist's credit/copyright stamp on the verso. This beautiful dye transfer print
(#1) Mark Bradford
Description Mark Bradford Speak, Birdman signed on the reverse mixed media on canvas 59 1/2 by 70 1/2 in. 151.1 by 179.1 by cm. Executed in 2018. This work is in excellent condition. Please contact the Contemporary Art Department at +1 (212) 606-7254 for the report prepared by Terrence Mahon. The canvas is unframed. In response to your inquiry, we are pleased to provide you with a general report o
(#5) Njideka Akunyili Crosby
New Orleans, New Orleans Triennial, Prospect 4: The Lotus in Spite of the Swamp, November 2017 - February 2018 This work is in excellent condition. The top and bottom edges of the sheet are irregular in a manner consistent with the artist’s intention and the work’s execution. There is a slight undulation to the sheet overall. Approximately 29 inches from the bottom edge, there is a very faint hori
(#15) Franz Kline
Description Franz Kline Green Cross oil on canvas 69 3/4 by 106 in. 177.2 by 269.2 cm. Executed in 1956. Estate of the artist Marlborough Gallery, New York Philip M. Stern, Washington, D.C. (acquired from the above in December 1967) Gift of the above in 1993 New York, Marlborough-Gerson Gallery, Inc., Franz Kline 1910-1962, March 1967, p. 14, no. 3, illustrated (in incorrect orientation) Baltimore
(#18) Richard Diebenkorn
Description Richard Diebenkorn Ocean Park #55 signed and dated 72; signed, titled and dated 1972 on the reverse oil and charcoal on canvas 78 by 78 1/8 in. 198.1 by 198.4 cm. Marlborough Fine Art, London Private Collection, Paris (acquired from the above in 1974) Private Collection Acquired by the present owner from the above in 1986 London, Marlborough Fine Art; and Zurich, Marlborough Galerie A.
(#29) Alexander Calder
New York, Curt Valentin Gallery, Alexander Calder: Gongs and Towers, January - February 1952, n.p., no. 28 (text) This mobile is in very good condition overall Please contact the Contemporary Art Department at +1 (212) 606-7254 for the report prepared by Jackie Wilson of Wilson Conservation, LLC. In response to your inquiry, we are pleased to provide you with a general report of the condition of t
(#35) Barnett Newman
Description Barnett Newman Galaxy signed and dated 1949 on the reverse oil on canvas 24 1/8 by 20 1/8 in. 61.3 by 51.1 cm. The artist Mr. and Mrs. Tony Smith, New Jersey (gift of the above) Christie's, New York, May 5, 1982, Lot 15 (consigned by the above) The Estée Lauder Companies Inc. Collection, New York The Pace Gallery, New York Acquired by the present owner from the above in January 1995 Be
(#107) Alex Katz
Irving Sandler, Alex Katz, New York 1979, pl. 193, illustrated Donald Kuspit, Alex Katz: The Night Paintings, New York 1991, pp. 84-85, illustrated in color This work is in very good condition overall. There is light evidence of handling along the edges. The colors are bright, fresh and clean. Under very close inspection a 4-inch vertical line of hairline craquelure is visible in the female’s left
(#125) Alexander Calder
Estate of the artist Helly Nahmad Gallery, New York Acquired from the above by the present owner in 2011 New York, Perls Galleries, Calder, February - March 1956 Chicago, Museum of Contemporary Art, Alexander Calder: A Retrospective Exhibition, Work from 1925-1974, October - December 1974 New York, American Academy and Institute of Arts and Letters, Alexander Calder: Memorial Exhibition, November
(#135) Brice Marden
Matthew Marks Gallery, New York Acquired from the above by the present owner in 1991 New York, Matthew Marks Gallery, Brice Marden Recent Drawings and Etchings, May - June 1991, cat. no. 13, illustrated in color New York, Dia Center for the Arts; Minneapolis, Walker Art Center; Houston, The Menil Collection; Madrid, Centro de Arte Reina Sofía; Bonn, Staditsches Kunst Museum, Brice Marden - Cold Mo
(#136) Sol LeWitt
Exh. Cat., Kunsthalle Bern (and travelling), Sol Lewitt Wall Drawings 1984-1992, 1992, pp. 54 and 150, illustrated The work of art is the certificate of authenticity and diagram. The owner of the work may have the wall drawing realized at their own expense. Sotheby's would be delighted to liaise with the purchaser and the Estate of Sol LeWitt in order to facilitate the realization of this work. In
(#216) Brice Marden
Description Brice Marden Cold Mountain Series, Zen Study 1-6 each signed, dated 91 and numbered 27/35 etchings and aquatint on paper, in 6 parts plate: 20 3/4 by 27 1/2 in. 52.7 by 69.9 cm. sheet: 27 1/2 by 35 1/4 in. 69.9 by 89.5 cm. Executed in 1991, these works are number 27 from an edition of 35, plus 15 artist's proofs.
(#248) Sol LeWitt
Annemarie Verna Galerie, Zurich Acquired from the above by the present owner in 2005 Paris, Yvon Lambert Galerie, Styrofoam Walls, September - October 1993 Zurich, Vivian Ehrli Galerie, Sol LeWitt, October 1996 Zurich, Annemarie Verna Galerie, Sol LeWitt: Wall Drawing - Sculpture - Gouaches, February - May 2004 This work is in very good condition overall. The upper and lower edges of the sheet are
(#416) Wolfgang Tillmans
Basel, Fondation Beyeler, Wolfgang Tillmans, May - October 2017, pp. 54-55, illustrated in color (another example exhibited) This work is in excellent condition overall. The sheet has recently been reprinted. There are no apparent condition issues. Unframed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we a
(#438) Sigmar Polke
Zurich, Kunsthaus Zurich; Cologne, Josef-Haubrich-Kunsthaller Köln, Sigmar Polke, April – October 1984, cat. no. 141, p. 127, illustrated in color This work is in very good condition overall. There is evidence of minor wear and handling along the edges. There is stable craqueleur within the denser areas of pigment along the left side, which is consistent with the use of mixed media and inherent to
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