Alexander Calder (1898-1976), Quatre disques blancs | Christie's
This work is registered in the archives of the Calder Foundation, New York, under application number A14017. “Why must sculpture be static?... You look at abstraction, sculptured or painted, an entirely exciting arrangement of planes, nuclei, entirely without meaning. It would be perfect but it is always still. The next step is sculpture in motion”—Alexander Calder ( A. Calder, quoted in M. Prathe
Alexander Calder (1898-1976), Guava | Christie's
‘In 1954 I received a letter from a young Indian woman who wrote me mentioning Jean Hélion, my good friend. She was Gira Sarabhai, youngest of eight children of a large wealthy family in Ahmedabad, which is somewhere halfway between Bombay and Delhi. She offered Louisa and me a trip to India, if I’d consent to make some objects for her when there. I immediately replied yes’ —A. CALDER ‘Is the kite
(#28) Alexander Calder
Henrique Mindlin, Rio de Janiero (acquired from the artist) Acquired from the above by the present owner in 1959 Rio de Janiero, Museo d’Arte Moderna; and São Paulo, Museó d’Arte, Alexander Calder, September - November 1948 (4 elements exhibited) Rio de Janiero, Museu de Arte Moderna do Rio de Janeiro, Alexander Calder: Escultura, Guache, September - October 1959 Colour: The colour in the catalogu
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