焦点：「複製不能」時代のデジタル芸術、10秒の作品が7億円に
［ロンドン １日 ロイター］ - ２０２０年１０月、マイアミの美術収集家パブロ・ロドリゲス・フレイル氏は、オンラインで無料視聴が可能だった１０秒間の動画作品に約６万７０００ドル（約７１６万３０００円）を投じた。先週、同氏がその作品を売却して得た金額は、実に６６０万ドルである。 この映像作品は、デジタルアート作家「ビープル」ことマイク・ウィンケルマン氏によるもの。ブロックチェーン（分散型台帳）技術を利用したデジタル署名によって、誰が所有者であるか、また複製ではないオリジナル作品であることが証明される。 これは「非代替性トークン」（ＮＦＴ）と呼ばれる新たなタイプのデジタル資産である。パンデミック下で、好事家や投資家がオンラインにのみ存在する商品への巨額の投資に殺到したことで、ＮＦＴの人気は一気に拡大した。
TechCrunch
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Sotheby's | Home
Showcasing masterpieces of Surrealist art and modern design from the collection of a legendary patron and aesthete. Set to take over Sotheby’s in September 2025.
WOLFGANG TILLMANS (B. 1968), Small Mental Picture II, 2000 | Christie's
‘I’m always interested in the question of when something becomes something, or not, and how do we know?’ Wolfgang TillmansExecuted in 2000 – the year that Wolfgang Tillmans became the first photographer to win the Turner Prize – Small Mental Picture II stands among his earliest abstract works. Colours and forms swim across the surface like ink, tinged with ethereal luminosity. The work belongs to
WOLFGANG TILLMANS, We Summer, 2004 | Christie's
Wako Works of Art, Tokyo. Private Collection, Japan. Anon. sale, Christie's London, 23 September 2015, lot. 197. Private collection, UK. Acquired from the above by the present owner. Exhibition Catalogue, Das achte Feld - Geschlechter, Leben und Begehren in der Bildenden Kunst seit 1960, Museum Ludwig, Cologne, 2006, pp. 160-161. Exhibition Catalogue, Wolfgang Tillmans, Hammer Museum, Los Angeles,
JULIE COCKBURN (B. 1966), Day Dreamer 2, 2011 | Christie's
JULIE COCKBURN (B. 1966) Day Dreamer 2, 2011 photo collage, mounted on board signed, titled and dated in ink (frame backing board) image/sheet: 9 5/8 x 7 7/8 in. (24.5 x 20 cm.) mount: 15 ½ x 12 ¾ in. (39.5 x 32.5 cm.) This work is unique.
HASSAN HAJJAJ (B. 1961), Hindiii, 2011/ 1432 | Christie's
British-Moroccan artist Hassan Hajjaj captures the vibrant synthesis of contemporary cultures through his photography. Best known for his portraits, Hajjaj has created an eclectic portfolio of diverse characters in multiple mediums. Through patterns, textures, colours, props and the inclusion of found materials which he often incorporates into his frames, he builds an immersive view into the lives
GREG GORMAN (B. 1949), Andy Warhol, Los Angeles, 1986 | Christie's
GREG GORMAN (B. 1949) Andy Warhol, Los Angeles, 1986 GREG GORMAN (B. 1949) Andy Warhol, Los Angeles, 1986 gelatin silver print signed, titled, dated and numbered '10/25' in pencil on photographer's copyright credit label (verso) image: 23 7/8 x 19 1/8 in. (60.5 x 48.5 cm.) sheet: 31 ½ x 26 3/8 in. (80 x 67 cm.) This work is number ten from an edition of twenty-five.
Roy Lichtenstein (1923-1997), Screen with Brushstrokes | Christie's
Roy Lichtenstein (1923-1997) Screen with Brushstrokes incised with the artist's signature and numbered 'AP 2/3' (on a plaque accompanying the work) acrylic and metal leaf on lacquered wood relief, in 5 joined parts each: 94 ½ x 27 x 2 ½ in. (240 x 69 x 6.3 cm.) overall: 94 ½ x 135 x 2 ½ in. (240 x 342.9 x 6.3 cm.) Executed in 1986. This work is the second artist's proof from an initially proposed
Barnett Newman (1905-1970), Untitled | Christie's
H. Rosenberg, Barnett Newman, New York, 1978, p. 190, no. 177 (illustrated). Barnett Newman: The Complete Drawings, 1944-1969, exh. cat, Baltimore Museum of Art, 1979, pp. 160-161, no. 61 (illustrated). R. Shiff, C. Mancusi-Ungaro, and H. Colsman-Freyberger, Barnett Newman: A Catalogue Raisonné, New Haven and London, 2004, p. 426, no. 179 (illustrated in color). In 1960, Barnett Newman embarked on
Urs Fischer (b. 1973), Original Problem | Christie's
Urs Fischer (b. 1973) Original Problem signed and dated 'Urs Fischer 2014' (on the reverse) aluminum panel, aluminum honeycomb, two-component epoxy adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, spray enamel, acrylic silkscreen medium and acrylic paint 96 x 72 in. (243.8 x 182.9 cm.) Executed in 2014. Urs Fischer’s 2014 Original Problem is a
Richard Diebenkorn (1922-1993), Untitled | Christie's
New York, M. Knoedler & Co., Richard Diebenkorn, May 1984, p. 10, no. 18 (illustrated in color). New York, Museum of Modern Art; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Washington, D.C., Phillips Collection, The Drawings of Richard Diebenkorn, November 1988-January 1989, p. 187 (illustrated in color). On occasion, Christie's has a direct financial interest in the outc
Richard Diebenkorn (1922-1993), Ocean Park #126 | Christie's
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of maki
Richard Diebenkorn (1922-1993), Untitled | Christie's
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of maki
Donald Judd (1928-1994), Untitled | Christie's
Galerie Ressle, Stockholm Peder Bonnier, New York Private collection Anon. sale; Sotheby's, London, 5 December 1996, lot 67 Acquired at the above sale by the present owner “Three dimensions are real space ... that gets rid of the problem of illusionism and literal space, space in and around marks and colours which is riddance of one of the salient and most objectionable relics of European art." --
Alex Katz (b. 1927), Mae | Christie's
Pace Wildenstein, New York, acquired directly from the artist Private collection, New York Acquired from the above by the present owner One of the greatest and most influential living painters, Katz’s career is defined, since his emergence in the late ‘50s, by powerful and sure-handed portrayals of women. In Mae, Katz depicts a strong, defiant young girl, her arms crossed in front of her torso wit
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アート界をカオスに陥れた「NFT」って？誰もが無料で閲覧できるデジタルアートに、なぜ6900万ドルもの値段がついたのか？（クーリエ・ジャポン） - Yahoo!ニュース
ANDREW MOORE (B. 1957), Hang Khoai, Hanoi, 2007 | Christie's
Idris Khan (b. 1978), A World Within | Christie's