The cycle October 18, 1977 consists of 15 paintings that Gerhard Richter worked on between March and November 1988. They result from his intensive research on the left-wing extremist, terrorist group Red Army Faction (RAF)[1], that had been active in West Germany since the beginning of the 1970s. Carrying out bank robberies, bomb attacks and assassinations to finance their life in the underground
Volker Bradke, 1966, 16 mm, s/w, 14:32 min As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in D�¼sseldorf. For the purpose of this exhibition Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradk
Gerhard Richter (b. 1932) Meer offset lithograph, 1973, on photographic paper mounted on card (as issued), signed and dated 1973, numbered 221/250, published by the Kunstverien, Gent, the full sheet, lacking the cellophane wrapper, the photographic paper slightly cockled, otherwise in good condition Lithograph: 250 x 250 mm., Sheet: 670 x 651 mm.
This print is a photograph of the left half of Richter's 1989 black and white oil painting, Uran 2. The photograph was then published for the Gerhard Richter 1988/89 show at the Museum Boijmans Van Beuningen, Rotterdam in 1989. Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable ca
Anthony d'Offay Gallery, London Acquired from the above by the present owner circa 1998 Hubertus Butin and Stefan Gronert, Eds., Gerhard Richter: Editions 1965-2004, Ostfildern 2004, cat. no. 84, p. 232, another example illustrated in color Hubertus Butin, Stefan Gronert, and Thomas Olbricht, Eds., Gerhard Richter: Editions 1965-2013, Ostfildern 2014, cat. no. 84, p. 255, another example illustrat
“I don’t really believe art has power. But it does have value. Those who take an interest in it find solace in art. It gives them huge comfort.” Gerhard Richter, one of the greatest painters of our time, discusses beauty in the era of the Internet in this rare interview. “These days, beauty is not in fashion,” says Richter, who has explored painting and its role in image culture for decades on hi
Create your first list.Select an existing list or create a new list to share and manage lots you follow. ✖ Capitalist Realism and Gerhard Richter’s 'Dusenjäger’, 1963 "These objects spoke to progress and modernity while at the same time are obviously objects of death and destruction." Worldwide Co-Head of 20th Century and Contemporary Art Jean-Paul Engelen on the incredible dualities and historic
Videos about the work of the artist Gerhard Richter, from the official website gerhard-richter.com.
JTF (just the facts): A total of 14 overpainted color photographs, framed in brown wood and matted, and hung against white walls in the small side conference room. All of the works are oil paint on color photographs, made in 2014 or 2015. Physical sizes are roughly 5×7 or reverse, and all of the works are unique. (Installation shots below.) The show also includes 10 oil on canvas paintings in the
Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richte
Analysis Gerhard Richter Says He’s Shocked by the State of the Art Market He even claims his own works are overpriced. German star artists such as Gerhard Richter showed their compassionate side by donating works to the benefit auction. Photo: Deutsch-Perfekt The most expensive living artist in Europe, Gerhard Richter, criticized the art market and denounced the hype surrounding contemporary artis
1932年ドレスデン生まれ。ケルン在住。イメージの成立条件を問いながら、人がものを見て認識するという原理に一貫して取り組み続けている。 東ドイツで美術教育を受けたが、西ドイツ旅行中に出会った抽象表現主義に強い影響を受け、ベルリンの壁ができる半年前に西ドイツへ移住。デュッセルドルフ芸術アカデミーで学んだ後、コンラート・フィッシャーやジグマー・ポルケらと「資本主義リアリズム」運動を展開。1964年にミュンヘンとデュッセルドルフで初の個展を開催し、1972年のヴェネチア・ビエンナーレを皮切りに、ドクメンタ(5、7、8、9、10)等、多数の国際展に参加。1997年、第47回ヴェニス・ビエンナーレ金獅子賞を受賞。これまでに世界のトップミュージアムで多くの個展が開催され、主な会場にはポンピドゥー・センター(パリ、1977年)、テート・ギャラリー(ロンドン、1991年)、ニューヨーク近代美術館(2002
Watch short videos for detailed views of Gerhard Richter's artworks.
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