(#1) Thomas Struth
This ferrotyped photograph is in generally excellent condition. When examined in raking light, characteristics that are typical of ferrotyping, mainly striations and a few fingerprints in the image and margins, are faintly visible. These do not detract from the overall attractive appearance of this print. The paper is gently rippled overall. In response to your inquiry, we are pleased to provide y
(#23) Thomas Struth
My Portrait - Thomas Struth (Tokyo: The National Museum of Modern Art, 2000), p. 129 Douglas Eklund, Ann Goldstein, Maria Morris Hambourg, and Charles Wylie, Thomas Struth 1977-2002 (Dallas Museum of Art, 2002), p. 93 Hans Belting, Walter Grasskamp, and Claudia Seidel, Museum Photographs: Thomas Struth (Munich, 2005), p. 73 Thomas Struth (Museum of Contemporary Art Donnaregina of Naples, 2008), pp
(#117) Thomas Struth
Richard Sennett, Struth: Unconscious Places, Munich, Schirmer Mosel, 2012, ill. p. 155; Thomas Struth: 1977 - 2002, cat. expo., Dallas, Dallas Museum of Art, 2002, ill. p. 120; Dieter Ronte, Thomas Struth: Strassen, Fotografie 1976 bis 1995, cat. expo., Bonn, Kunstmuseum/Cologne, Wienand, 1995, ill. p. 127. With light undulations to the lower edge, otherwise this silver print is in excellent condi
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THOMAS STRUTH (né en 1954), Panorama 2, Paris, Beaugrenelle, 1980 | Christie's
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