In 1964, Rosenquist began gathering photographs and information about the F-111 fighter-bomber then in development for the United States military. From these materials he devised the concept for a painting that would incorporate imagery of the warplane, creating extensive collage studies and beginning work on the massive painting in his Broome Street Studio in SoHo, lower Manhattan. Built to the s
リリース、障害情報などのサービスのお知らせ
最新の人気エントリーの配信
処理を実行中です
j次のブックマーク
k前のブックマーク
lあとで読む
eコメント一覧を開く
oページを開く