NFTの95％が無価値？ 専門家らが「NFTは死んだ」と題したレポートを発表｜ARTnews JAPAN
「私はフェミニストであり続ける」──アメリカの女性芸術博物館が巨大なフェミニズムアートに大変身｜ARTnews JAPAN
アメリカ・ワシントンDCに巨大なフェミニズム・アートが出現した。仕掛けたのは、オーストリア人アーティスト、カタリーナ・チブルカ（Katharina Cibulka）だ。 「世代が変わっても、私たちの困難が解消されない限り、私はフェミニストであり続ける（AS LONG AS GENERATIONS CHANGE BUT OUR STRUGGLES STAY THE SAME, I WILL BE A FEMINIST.）」 そんなメッセージがピンクのクロスステッチで刺繍された7,000平方フィート（約650平方メートル）にも及ぶ白いメッシュ状の作品が、アメリカ・ワシントンDCにある国立女性芸術博物館（National Museum of Women in the Art=NMWA）の外壁を覆っている。これは、オーストリア人アーティストのカタリーナ・チブルカが4年前から取り組む「SOLANGE
「女性による犯罪」をアートで伝える理由とは？ ベルリンのグループ展キュレーターに聞く｜ARTnews JAPAN
「女性による犯罪」をアートで伝える理由とは？ ベルリンのグループ展キュレーターに聞く 2023年1月19日 JAPAN 「母親らしくない行動」をしたから非難される。「女性だから」責任能力がない──。女性の罪は、法廷において女性性と絡めて見られることが多くある。ドイツのベルリンで2月19日まで開催されている「Guilty, guilty, guilty! Towards a Feminist Criminology」は、タブー視されがちな「女性の犯罪」に切り込んだグループ展だ。あえてアートからこのテーマを考察する理由を、キュレーターに聞いた。 「戦争は女の顔をしていない」とは、これまで耳を傾けられてこなかった第二次世界大戦に従軍した女性たちの物語をまとめたスヴェトラーナ・アレクシエーヴィッチの本のタイトルだ。それならば「犯罪は女の顔をしていない」とも言えるかもしれない。犯罪学のなかでも特に女
Yasufumi Nakamori Named Curator of Photography and New Media at Minneapolis Institute of Art
The Minneapolis Institute of Art announced today that Yasufumi Nakamori will be the museum’s curator of photography and new media. Nakamori will start at the museum at the end of May. Nakamori is currently an associate curator at the Museum of Fine Arts Houston, where he organized the exhibition “For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979” last year. The show l
Implied Density and Mystic Frogs: Jim O’Rourke on Composing Sounds for Alexander Calder
On the long list of pleasures to be gleaned from “Calder: Hypermobility” at the Whitney Museum in New York is a sound work composed especially for the occasion by the inimitable musician Jim O’Rourke. It is only a little more than 13 minutes in length, but it abounds with ideas—quiet, patient, deferential, eccentric, playful, shape-shifting, majestic ideas. Such is the stock-in-trade of an elusive
The Cyborg Anthropologist: Ian Cheng on His Sentient Artworks
The Cyborg Anthropologist: Ian Cheng on His Sentient Artworks Last February, shortly after the opening of the Hirshhorn Museum and Sculpture Garden’s show of recent computer-generated art, called “Suspended Animation,” Ian Cheng received an urgent text message. Cheng’s work in the show, Emissary in the Squat of Gods (2015), is about a prehistoric girl trying to decide how to respond to the threat
Linda Nochlin, Trailblazing Feminist Art Historian, Dies at 86
Linda Nochlin, Trailblazing Feminist Art Historian, Dies at 86 Linda Nochlin, the perspicacious art historian who brought feminist thought to bear on the study, teaching, and exhibition of art, reshaping her field, has died, according to people close to her family. She was 86. In 1971, Nochlin earned widespread attention for her landmark essay “Why Have There Been No Great Women Artists?,” which a
MoMA Makes a Facebook for Abstractionists
Abstraction was about relationships. In a sense, that’s the theme of the major exhibition coming this winter to the Museum of Modern Art, “Inventing Abstraction, 1910-1925.” It chronicles a moment when figures across the United States and Eastern and Western Europe—not only visual artists but poets, musicians, dancers, filmmakers, and more—participated, collectively, in the “greatest rewriting of
‘This Is a Really Interesting “Performance” in a Way’: Ei Arakawa Work Stolen at Skulptur Projekte Münster
‘This Is a Really Interesting “Performance” in a Way’: Ei Arakawa Work Stolen at Skulptur Projekte Münster One of the highlights of the very wonderful 2017 edition of Skulptur Projekte Münster is installed in a remote field near Lake Aa in the German city. Titled Harsh Citation, Harsh Pastoral, Harsh Münster (2017), it’s a series of seven LED panels by Ei Arakawa that display animated versions of
Jannis Kounellis, Whose Ingenious, Poetic Work Helped Define Arte Povera, Dies at 80
Jannis Kounellis with an untitled sculpture he made in 1971. GAVIN BROWN’S ENTERPRISE Jannis Kounellis, a cornerstone of the Italian Arte Povera movement whose bewitching works incorporate a panoply of unusual ingredients, like jute sacks, coffee beans, a Ping-Pong ball, fire (from propane tanks and candles), musicians (flautists, a violinist), a ballerina, and, mostly famously, a dozen horses, di
Metropolitan Museum of Art Puts 375,000 Public-Domain Images in Creative Commons
Emmanuel Gottlieb Leutze, Washington Crossing the Delaware, 1851, oil on canvas. VIA THE METROPOLITAN MUSEUM OF ART/LICENSED UNDER CC0 1.0 As part of a new initiative it’s calling Open Access, the Metropolitan Museum of Art in New York has placed 375,000 images of public-domain works in the Creative Commons. This major, though not unprecedented, move by one of the world’s most important museums me
リリース、障害情報などのサービスのお知らせ
最新の人気エントリーの配信
j次のブックマーク
k前のブックマーク
lあとで読む
eコメント一覧を開く
oページを開く
リンダ・ノックリン著「なぜ偉大な女性芸術家はいなかったのか？」Vol.1──フェミニスト美術史家が突きつける問い【アートで祝う国際女性デー】｜ARTnews JAPAN
Pornhub Launches a Museum Guide for Classical Nudes
http://www.artnews.com/issues/article.asp?art_id=2949¤t=True
http://www.artnews.com/issues/article.asp?art_id=3333
http://www.artnews.com/issues/article.asp?art_id=3348¤t=True
http://www.artnews.com/issues/article.asp?art_id=3345
Paper.li
‘These Pictures Would Not Have Been Possible Ten Years Ago’: Wolfgang Tillmans on His New Show at David Zwirner
‘If You Can’t Find Something Good Enough, You Have to Make It Yourself’: Flavin Judd On Curating His Father’s Work at 101 Spring Street and Beyond