The Minneapolis Institute of Art announced today that Yasufumi Nakamori will be the museum’s curator of photography and new media. Nakamori will start at the museum at the end of May. Nakamori is currently an associate curator at the Museum of Fine Arts Houston, where he organized the exhibition “For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979” last year. The show l
On the long list of pleasures to be gleaned from “Calder: Hypermobility” at the Whitney Museum in New York is a sound work composed especially for the occasion by the inimitable musician Jim O’Rourke. It is only a little more than 13 minutes in length, but it abounds with ideas—quiet, patient, deferential, eccentric, playful, shape-shifting, majestic ideas. Such is the stock-in-trade of an elusive
The Cyborg Anthropologist: Ian Cheng on His Sentient Artworks Last February, shortly after the opening of the Hirshhorn Museum and Sculpture Garden’s show of recent computer-generated art, called “Suspended Animation,” Ian Cheng received an urgent text message. Cheng’s work in the show, Emissary in the Squat of Gods (2015), is about a prehistoric girl trying to decide how to respond to the threat
Linda Nochlin, Trailblazing Feminist Art Historian, Dies at 86 Linda Nochlin, the perspicacious art historian who brought feminist thought to bear on the study, teaching, and exhibition of art, reshaping her field, has died, according to people close to her family. She was 86. In 1971, Nochlin earned widespread attention for her landmark essay “Why Have There Been No Great Women Artists?,” which a
Abstraction was about relationships. In a sense, that’s the theme of the major exhibition coming this winter to the Museum of Modern Art, “Inventing Abstraction, 1910-1925.” It chronicles a moment when figures across the United States and Eastern and Western Europe—not only visual artists but poets, musicians, dancers, filmmakers, and more—participated, collectively, in the “greatest rewriting of
‘This Is a Really Interesting “Performance” in a Way’: Ei Arakawa Work Stolen at Skulptur Projekte Münster One of the highlights of the very wonderful 2017 edition of Skulptur Projekte Münster is installed in a remote field near Lake Aa in the German city. Titled Harsh Citation, Harsh Pastoral, Harsh Münster (2017), it’s a series of seven LED panels by Ei Arakawa that display animated versions of
Jannis Kounellis with an untitled sculpture he made in 1971. GAVIN BROWN’S ENTERPRISE Jannis Kounellis, a cornerstone of the Italian Arte Povera movement whose bewitching works incorporate a panoply of unusual ingredients, like jute sacks, coffee beans, a Ping-Pong ball, fire (from propane tanks and candles), musicians (flautists, a violinist), a ballerina, and, mostly famously, a dozen horses, di
Emmanuel Gottlieb Leutze, Washington Crossing the Delaware, 1851, oil on canvas. VIA THE METROPOLITAN MUSEUM OF ART/LICENSED UNDER CC0 1.0 As part of a new initiative it’s calling Open Access, the Metropolitan Museum of Art in New York has placed 375,000 images of public-domain works in the Creative Commons. This major, though not unprecedented, move by one of the world’s most important museums me
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