Richard Tuttle (b. 1941) Audubon, Thoreau numbered sequentially ''1'-'12'' (on the reverse of each element) acrylic, nails and plywood mounted on plywood panel, in twelve parts each: 14 x 14 in. (35.6 x 35.6 cm.) Executed in 1999.
Joel Shapiro: Tracing the Figure, exh. cat., Des Moines Art Center, 1990, p. 63, no. 15. (another example illustrated). Joel Shapiro, exh. cat., Valencia, IVAM Centre Julio González, 1991, pp. 63 and 70 (another example illustrated and illustrated on the cover). H. Teicher and M. Brenson, Joel Shapiro: Sculpture and Drawings, New York, 1998, p. 135, no. 179 (another example illustrated). Humlebaek
Barnett Newman (1905-1970) Untitled oil on canvas 36 1/8 x 24 1/4 in. (91.8 x 61.6 cm.) Painted in 1945. The artist Annalee Newman, New York PaceWildenstein, New York Evelyn D. Haas, San Francisco, 1994 Her sale; Christie's, New York, 8 May 2012, lot 6 Acquired at the above sale by the present owner J. McLean, "Of Limited Means," The Guardian, 28 June 1972, p. 12. B. G. Paskus, "The Theory, Art an
How can art be realized? Out of volumes, motion, spaces bounded by the great space, the universe. Out of different masses, tight, heavy, middling—indicated by variations of size or color—directional lines—vectors which represent speeds, velocities, accelerations, forces, etc. . . .—these directions making between them meaningful angles, and senses, together defining one big conclusion or many. Spa
This work is identified with the interim identification number of SF77-267 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation. “Francis's distinctive way of building a picture with an accretion of rhythmic touches, at once deliberate and loose, seems equally inde
“This drawing is one of four works Brice Marden made between 1986 and 1993, each executed in ink on top of an early-state proof of the etching entitled Tu Fu, printed in 1986. The first of the four drawings in this group, Tu Fu Dog 1, is in the collection of the Yale University Art Gallery…The works take their name from the poetry of Tu Fu, another Tang dynasty poet, and from Betty, the artist’s c
“When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art... Conceptual art is not necessarily logical. The logic of a piece or series of pieces is a device that is used at times only to be ruined. Logic may be used to camouflage the real intent of the a
New York, Matthew Marks Gallery, Brice Marden: Recent Drawings and Etchings, May - June 1991, n.p., no. 23, illustrated “It seems to me the more fluent the drawing, the more it can express your ideas. One of the things I like about drawing is that it’s a very direct form of expression, whereas a painting becomes an evolved statement because of the materials you’re using. It’s paint and it’s color.
Estate of the Artist Collection of Annalee Newman Acquired by the present owner from the above in 1990 Baltimore, The Baltimore Museum of Art; Detroit, The Detroit Institute of Arts; Chicago, Museum of Contemporary Art; New York, The Metropolitan Museum of Art; Amsterdam, Stedelijk Museum; Paris, Musée National d’Art Moderne, Centre Georges Pompidou; Cologne, Museum Ludwig; and Basel, Kunstmuseum
Description Brice Marden Untitled signed and dated 70 graphite, cray-pas and wax on paper 21 7/8 by 30 in. 55.6 by 76.2 cm. Collection of Jim Dine, New York The Pace Gallery, New York (acquired from the above in April 1978) Collection of Leonard Lauder, New York (acquired from the above in October 1979) Acquired by the present owner circa 1985 This work is in very good condition overall. Please co
John Weber Gallery, New York Acquired from the above by the present owner This work is in very good condition overall. The bottom edge of the sheet is deckled. The colors are bright, fresh and clean. Under very close inspection, a few very minor abrasions are visible in the black margin at the upper edge and in black margin along the lower right and lateral right edges, revealing the underlying la
New York, Matthew Marks Gallery; Los Angeles, Matthew Marks Gallery, Brice Marden, November 2015 - April 2016, p. 11, illustrated in color This work is in good condition overall. The edges of the sheet are deckled and there are two indentations at each upper corner, presumably from the time of execution. There is evidence of wear and handling along the edges, most notably some minor creases along
Description Alex Katz Window 5 signed oil on Masonite 24 by 24 in. 61 by 61 cm. Executed circa 1961-1962. Fishbach Gallery, New York Private Collection, Gross Pointe Sotheby's, New York, 7 June 1996, Lot 345 Acquired from the above sale by the present owner This work is in very good condition overall. The edges of the Masonite are taped. There is evidence of wear and handling along the edges with
Jeremy Lewison, Brice Marden: Prints 1961 - 1991, A Catalogue Raisonné, London 1992, cat. no. 43, pp. 164-167, illustrated Exh. Cat., Kunsthalle Bern, Brice Marden: Paintings 1985-1993, 1993, p. 23, illustrated This work is in excellent condition overall. Please refer to the following report prepared by Alvarez Conservation. Framed under Plexiglas. In response to your inquiry, we are pleased to pr
Exh. Cat., London, Tate Britain, Wolfgang Tillmans: If One Thing Matters, Everything Matters, 2003, no. 1998-064, p. 164, illustrated in color This work is in very good condition overall. The print is mounted to the backing board. Under raking light there are no apparent condition issues. This work was not examined out of its frame. Framed under glass. In response to your inquiry, we are pleased t
Sommer Contemporary Art, Tel Aviv Acquired from the above by the present owner in 2002 Tel Aviv, Sommer Contemporary Art, Wolfgang Tillmans, April - May 2002 Switzerland, Fondation Beyeler, Wolfgang Tillmans, May - October 2017, p. 12, illustrated in color (another example exhibited) Exh. Cat., London, Tate Britain, Wolfgang Tillmans: If One Thing Matters, Everything Matters, 2003, no. 2001-098, p
Description Thomas Struth Jiangxi Zhong Lu, Shanghai signed on label affixed to the reverse c-print face mounted to Diasec 35 by 44 in. 88.9 by 111.8 cm. Executed in 1996, this work is number 5 from an edition of 10. Marian Goodman Gallery, New York Steven and Ann Ames, New York (acquired from the above in 1998) Thence by descent to the present owner
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