Schooled at Chicago's Institute of Design, Ray Metzker inherited European traditions of formal experimentation brought to America by the school's founder, László Moholy-Nagy. Starting with the premise of the plasticity of his medium, Metzker rejected the prevailing notion that to photograph is to frame and thus to fix a unit of optical truth. Instead, he devised a way to use rolls of film, not sin
Description Ray K. Metzker 'WINGED CERTAINTIES' 5 gelatin silver prints (New York: Laurence Miller Gallery, 1988, an edition of 5), a portfolio of 5 photographs, each signed, editioned '1/5,' and annotated in pencil on the reverse, 1986, printed in 1988; together with the calligraphic title/colophon, with edition 'No. 1' in ink. Folio, grey linen portfolio with flaps and ties and calligraphic labe
Description Ray K. Metzker 'SOXY' (COMPOSITE) compositon of 20 gelatin silver prints a unique composition of 20 photographs, mounted together, signed, titled, and dated in pencil on the mount, 1973 This composition, comprised of 20 prints, is in generally excellent condition. In raking light, a tiny scratch, not appearing to break the emulsion is visible in the top left print. Upon close examinati
RAY METZKER (B. 1931) Nude Composite: Philadelphia, 1966 RAY METZKER (B. 1931) Nude Composite: Philadelphia, 1966 gelatin silver montage, printed 1982 signed and numbered '5/20' in pencil (on secondary mount) image/flush-mount: each 3 x 10in. (7.5 x 25cm.) overall montage: 22¼ x 10in. (56.5 x 25cm.) secondary mount: 31½ x 20½in. (80 x 52.cm.) Tucker, Unknown Territory: Photographs by Ray K. Metzke
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