Here’s what you need to know about Yayoi Kusama to see why her insane-looking pumpkins are sane investments: Kusama's Pumpkin (2016) is available on Artspace for $1,500 or as low as $132/month 1. In the 1960s, the Japanese artist quickly became known as a radical feminist figure in the New York Avant-Garde scene when she began creating fully immersive installations featuring her own body, in the n
Many artists teach to support their art careers, but Araya Rasdjarmrearnsook has made an art career of teaching. Rasdjarmrearnsook, a longtime professor at Chiang Mai University in her native Thailand, is known for conducting earnest, seminar-style discussions with particularly unpromising participants: stray dogs, cadavers, and patients at a mental hospital, to name a few. Buddhist monks and gigg
Once upon a time, you couldn't flip through a European newspaper without coming across the polemical manifesto of a budding avant garde artists' movement. The major movements of the 20th century—Dada, Fluxus, Futurism, Surrealism, Suprematism, and so on—all started with formal statements of intent written by artists, not critics, and often in inflammatory prose. In contrast, today's categories lik
Since 1974, when legendary photography historian John Szarkowski introducedNew Japanese Photography to the Western audiences at the Museum of Modern Art, critics have lauded the work of this group of artists, from Shomei Tomatsu and Ken Domon to Nobuyoshi Araki and Daido Moriyami, for being exceptionally distinct from that of their Western counterparts. Often incomplete and fleeting in quality, th
Yes, I dream of a better world. Should I dream of a worse? Yes, I desire a wider world. Should I desire a narrower? –Otto Piene, "Paths to Paradise" in ZERO 3 (July 1961) Zero is silence. Zero is the beginning. Zero is round. Zero spins. Zero is the moon. The sun is Zero. Zero is white. The desert Zero. The sky above Zero. The night. –excerpt from a 1963 poem by Heinz Mack, Otto Piene, and Günthe
Since the invention of the printing press, artists have used it for a wide variety of reasons—to experiment with new forms, to exploit its unique strengths as an image-making tool, and to create more work than one person can execute by hand. Equally importantly, artists have made prints so that their artistic visions would be accessible to a broad audience. As the famed Neo-Expressionist painter G
Hailing from a country so young filled with stories so old, contemporary Israeli artists have no shortage of inspiration to draw on, from the region's ancient history to its more recent political strife. This lends their art an uncommon depth of engagment and rich societal context—elements that these artists pursue through all manner of mediums, from film (sometimes applying the tools of documenta
The shocking Turner Prize win of Laure Provost has led more than a few art-world insiders to ask how the French installation artist came out on top of some formidable homegrown British talent. We break down the win and what's up next for this hard-to-pin-down artist who upended all of this year's expectations. WHO IS SHE? Like many others in the art world, you may have been scratching you head aft
In the foreword of Performance Art: From Futurism to the Present, even famed art historian and Performa founder RoseLee Goldberg is unable to fully define performance art. Perhaps it’s simply because performance art is so difficult to understand. It’s no secret that performance art is tough: many of its most famous practitioners, like Marina Abramović, Chris Burden, and Vito Acconci, have conceive
Remember when painting was "dead"? This time it's photography that's been reported deceased. The digital revolution is the alleged killer, what with one billion images posted to the Internet every single day. The cause of death, appropriately enough for Daguerre's discovery, is overexposure. Photography is dead because it's all been done a million times; there's nothing new under the sun. But phot
MA, Tokyo Geijutsu University, Tokyo, Japan, 1992 BFA, Tokyo Geijutsu University, Tokyo, Japan, 1988 The Art Institute of Chicago, Chicago, IL Contemporary Art Center, Art Tower Mito, Mito, Japan Daros Collection, Zürich, Switzerland High Museum of Art, Atlanta, GA Kanazawa City Museum of Art, Kanazawa, Japan Kunsthalle Bern, Bern, Switzerland Mori Art Museum, Tokyo, Japan Museum of Contemporary A
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