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The Aesthetics of Popular Music Popular music is widely assumed to be different in kind from the serious music or art music that, until very recently, monopolized attention in philosophical discussions of music. In recent years, however, popular music has become an important topic for philosophers pursuing either of two projects. First, popular music receives attention from philosophers who see it
The philosophical study of humor has been focused on the development of a satisfactory definition of humor, which until recently has been treated as roughly co-extensive with laughter. The main task is to develop an adequate theory of just what humor is. According to the standard analysis, humor theories can be classified into three neatly identifiable groups:incongruity, superiority, and relief t
Universals are a class of mind-independent entities, usually contrasted with individuals (or so-called “particulars”), postulated to ground and explain relations of qualitative identity and resemblance among individuals. Individuals are said to be similar in virtue of sharing universals. An apple and a ruby are both red, for example, and their common redness results from sharing a universal. If th
Ludwig Wittgenstein (1889—1951) Ludwig Wittgenstein is one of the most influential philosophers of the twentieth century, and regarded by some as the most important since Immanuel Kant. His early work was influenced by that of Arthur Schopenhauer and, especially, by his teacher Bertrand Russell and by Gottlob Frege, who became something of a friend. This work culminated in the Tractatus Logico-Phi
James Fieser, Ph.D., founder & general editor Bradley Dowden, Ph.D., general editor
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