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Halt and Catch Fire (2014) You've made just enough safe choices to stay alive, but not to matter. —Joe MacMillan Share Tweet Post More An idea can be a violent thing. Birthed out of nothingness, forcing its way into the world with a stroke of luck, a flash of inspiration, and sometimes, the push of a button. In the opening to AMC’s new period drama Halt and Catch Fire, a spark blazes a trail throu
Iron Man 3 (2013) I'm gonna offer the choice: do you want an empty life, or a meaningful death? —The Mandarin Share Tweet Post More Prologue’s rambunctious main-on-end titles for Iron Man 3 ably encompass three movies' worth of Tony Stark Adventures™ in a montage as happy-go-lucky and over-the-top as the armor-clad superhero himself. Interlocking angled transitions and perfectly timed freeze-frame
French Girl Mar 15, 2024 · summary Shōgun Feb 27, 2024 · summary The Beekeeper Jan 12, 2024 · summary May December Nov 17, 2023 · summary Saltburn Nov 17, 2023 · summary Joy Ride Jul 7, 2023 · summary The Bear (Season 2, Episode 6) Jun 22, 2023 · summary The Bear (Season 2, Episode 10) Jun 22, 2023 · summary Secret Invasion Jun 21, 2023 · summary No Hard Feelings Jun 15, 2023 · summary Silo May 5,
Pacific Rim (2013) Two thousand five hundred tons of awesome! —Dr. Newton Geiszler Share Tweet Post More For moviegoers who survive two hours of massive, nuclear-powered robots beating the living hell out of alien monsters from the bottom of the ocean, Imaginary Forces’ sleek and statuesque main-on-end titles for director Guillermo del Toro’s Pacific Rim are the calm after the creature-punchin’, b
Pablo Ferro (1935-2018) was a graphic designer and film titles designer from Antilla, Cuba. He is most well-known for his title design work on Dr. Strangelove, The Thomas Crown Affair, Bullitt, The Addams Family, and Men In Black. Read an in-depth interview with Pablo and Allen Ferro in Pablo Ferro: A Career Retrospective. Pablo taught himself animation using a book by Preston Blair, a former anim
Skyfall (2012) Life clung to me like a disease. —Raoul Silva Share Tweet Post More In the last interview before his passing in 1991, longtime Bond titles director Maurice Binder observed that Bond sequences were the likely precursors to the modern day music video, in that they blended experimental filmmaking and pop culture into a format perfectly suited for pop music. From the '60s onwards, the B
We're happy to announce that next week, Art of the Title returns to Austin, TX for the 2013 SXSW Film Design Awards. Editor-in-Chief Ian Albinson will again be a juror, and joining him this year will be Paul Babb, President/CEO of MAXON Computer, Inc., and Designer Kurt Volk (also a returing juror) from the Austin-based Troublemaker Studios. The title design screening will take place Monday, March
James Bond: 50 Years of Main Title Design Shocking! Positively shocking! —James Bond Share Tweet Post More After 50 years and 23 films, the James Bond franchise is inarguably the most successful and steadfast in film history. Based on a canon of novels by journalist and WWII intelligence officer Ian Fleming, Bond was already a household name in the United Kingdom a decade before reaching the silve
David Fincher: A Film Title Retrospective I don't know how much movies should entertain. I'm interested in movies that scar. —David Fincher Share Tweet Post More Perhaps no other living director has done as much for the art of the title sequence as David Fincher. The filmmaker’s work inarguably helped kickstart the title design renaissance of the 1990s, a revival that the medium still enjoys to th
Kyle Cooper is a director and designer of film title sequences. He holds an MFA in graphic design from the Yale School of Art, where he studied under graphic designer Paul Rand, as well as a BFA from the University of Massachusetts at Amherst. In 1996, he co-founded and named creative agency Imaginary Forces. He has directed and produced more than 150 film title and VFX sequences, including Se7en,
Join us for a dive into the film work of Saul Bass, often called the "master of title design", in a screening series hosted by Lola Landekic, editor in chief of Art of the Title
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