はてなブックマーク

Tate Papers no.17 Spring 2012 There is nothing like a pair of matching sofas for sparking off a conversation. In the case of this first juxtaposition, both are blue, with rounded backs, set against off-white walls and plain light brown floors (figs.1–2). Both are accompanied by middle-aged males in postures suggesting private contemplation, who have set aside their cigarette or pipe, as well as th

A theatrical exhibition by the Turner Prize winning artist and cultural activist

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Expressionists: Kandinsky, Münter and The Blue Rider