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Two thousand five hundred tons of awesome! —Dr. Newton Geiszler Share Tweet Post More For moviegoers who survive two hours of massive, nuclear-powered robots beating the living hell out of alien monsters from the bottom of the ocean, Imaginary Forces’ sleek and statuesque main-on-end titles for director Guillermo del Toro’s Pacific Rim are the calm after the creature-punchin’, bot-stompin’ storm.

Pablo Ferro (1935-2018) was a graphic designer and film titles designer from Antilla, Cuba. He is most well-known for his title design work on Dr. Strangelove, The Thomas Crown Affair, Bullitt, The Addams Family, and Men In Black. Read an in-depth interview with Pablo and Allen Ferro in Pablo Ferro: A Career Retrospective. Pablo taught himself animation using a book by Preston Blair, a former anim

In the last interview before his passing in 1991, longtime Bond titles director Maurice Binder observed that Bond sequences were the likely precursors to the modern day music video, in that they blended experimental filmmaking and pop culture into a format perfectly suited for pop music. From the '60s onwards, the Bond theme song, and its title sequence by proxy, have become synonymous with rock n

We're happy to announce that next week, Art of the Title returns to Austin, TX for the 2013 SXSW Film Design Awards. Editor-in-Chief Ian Albinson will again be a juror, and joining him this year will be Paul Babb, President/CEO of MAXON Computer, Inc., and Designer Kurt Volk (also a returing juror) from the Austin-based Troublemaker Studios. The title design screening will take place Monday, March

After 50 years and 23 films, the James Bond franchise is inarguably the most successful and steadfast in film history. Based on a canon of novels by journalist and WWII intelligence officer Ian Fleming, Bond was already a household name in the United Kingdom a decade before reaching the silver screen. But it was Sean Connery's performance as a souped-up version of Fleming's iconic superspy that tu