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While Western letterpress printing has made a recent revival, what was once considered one of the Four Great Inventions of Ancient China is no longer a sustainable practice in its country of origin. Wai Che Printing Company, preserved by its 81-year-old owner Lee Chak Yu, has operated on Wing Lee Street with its bilingual lead type collection and original Heidelberg Cylinder machine for over 50 ye
After 50 years of the iconic Futura typeface, IKEA has made a switch to… Verdana? The 2010 IKEA catalog, now arriving at doorsteps around the world, reveals the company’s choice to change all typography to the Microsoft font that every web designer has grown to hate (you can already hear the cries). Verdana, specifically designed for on-screen readability, first shipped with Internet Explorer 3 in
Two months from now the International Olympic Committee will name the host city of the 2016 Summer Olympics. If the decision were based solely on design, which candidate would win? Chicago, USA Designed by VSA Partners, this is Chicago’s second logo for its 2016 bid. The first (which featured an olympic torch with flames resembling Chicago’s skyline) violated Olympic rules which prohibit the use o
In a follow-up to yesterday’s post on award-winning identities at the 56th annual Cannes Lions festival, we have selected some of the most interesting print-related winners in the design category. Never Forget a Face, Bronze “Never Forget a Face” is a wall calendar designed for the BBC Wildlife Fund by The Chase. 2009 has been declared as The Year of the Gorilla. However there are as little as 720
This is the third installment in the ‘Know your type’ series, where we take a look into the origins of some of the most interesting and commonly used typefaces in design today. This month, we look at the classic, geometric sans-serif, Futura. Inspired by the Bauhaus Following the Bauhaus design philosophy, German type designer Paul Renner first created Futura between 1924 and 1926. Although Renner
Are unpaid internships evil, or is education payment enough? Thomas Wilder reflects on his past experience as an unpaid intern at a New York design firm. Editor’s note: idsgn spans different points of view, and what follows is an opinion not neccesarily shared among our editorial team. However, we feel the debate is a valid one to explore and the topic is worthy of further discussion. During my ye
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