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When asked what he’s most proud of in his five decade career in music, the answer doesn’t come easy for Makoto Kubota. The prolific Kyoto-born singer, songwriter, and producer has never been one to look back at his past work, and like his longtime friend and collaborator Haruomi Hosono, Kubota remains eternally humble, preferring to let the music do the talking. Until now. We had a long, wide-rang
Well, that was fast. Decade is just about over, and as it draws to a close, its highs look awfully high in the rearview. Presented here, an unranked sprawl of 100 records that stuck with us, managing to break through the noise of an increasingly distracting age, and stick around in our heads . . . Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us
Recorded at the BBC Studios London, for the "Tonight In Person" show in July of 1979, this vinyl bootleg finds Waits working up material from his Asylum years. This particular performance hit the spot recently as I'd been spending a lot of time with Waits' transitional Heartattack And Vine LP---which ultimately reinvigorated an interest in the earlier catalog. Download: become a member or log in.
Welcome to the latest installment of an ongoing mixtape series in which I highlight some of my favorite voices online and beyond. This week we touch down in Portland, OR with Ghost Capital. Helmed by Nick Barbery, the blog served as one of my favorite online discoveries during the second half of 2010. With an ear bent toward the obscure and out-of-print, digging globally, Ghost Capital mines the s
Diamond Jubilee feels like a throwback to a different, weirder, cooler, better era in independent music. An era where a record such as this one — a record not available on streaming services, that can only be listened to on YouTube and via WAV files available for purchase on the artist’s website, and which was birthed into the world with no advanced single or press, that eschewed the long and labo
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