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To kick off the FITC Tokyo 2015 conference, a superteam of artists working around the world (and sometimes around the clock) created a sublimely glitchy homage to the culture of Japan. The way this team met and worked together is just as interesting as their finished project. Their globally distributed workflow is a testament not only to the power of collaboration but also to the way technology ha
Prologue’s treatment for Robin Hood is a study in patient analogue work. Ridley Scott called on the studio create Legends to open the film as well as End and Main Titles. Ridley’s vision for the film required Prologue to treat all the type in a handmade fashion, this meant taking the type out of the computer for most of the process and filming and treating them as handmade elements. What stuck out
[qt:http://motionograph.wpengine.com/wp-content/uploads/2010/06/Mothership_Firsts_60secVersion.mov 1280 720] Credits for Sprint “Domino Effect” Agency: Goodby Silverstein & Partners Partner: Jamie Barrett Producer: Cindy Epps Art Director: Nick Spahr Copywriter: James Bray Production Company: Mothership Directors: Dael Oates & David Rosenbaum President / Executive Producer: Ed Ulbrich Executive Pr
To see the full collection of work Prologue created for Iron Man 2, head over to Prologue’s site. For those of you who’ve seen Iron Man 2 (has anyone not seen it?), you know that Robert Downey Jr. shares the screen with Mickey Rourke and Don Cheadle for some of the film’s most intense sequences. But the real co-stars—the real palladium in Iron Man’s chest—are the ubiquitous motion design elements
I almost laughed at how epic and ambitious this piece is. But I really loved it. Its choc-a-block with nice moments but some of the transitions from one moment to the next are pretty crude compared to a lot of other work I’ve seen from them. when the first white drop hits the ground the camera move slows down very abruptly. When the lady in the red dress is walking the elements look like 2.5d cuto
Together with Carlos El Asmar, Justin co-founded Motionographer, F5 and The Motion Awards. He currently lives in Austin, Texas with is wife, son and fluffball of a dog. Before taking on Motionographer full-time, Justin worked in various capacities at Psyop, NBC-Universal, Apple, Adobe and SCAD.
I love the tilt shift technique. The magnifying glass part could have been better, just a really poor looking puff of smoke. Comments are closed. [qt:http://motionograph.wpengine.com/wp-content/uploads/2009/07/colorama-980.mov 980 551] Upper First and Keith Loutit work together for Colorama. Check out Upper First’s project page for the treatment and storyboards. Related links: Keith Loutit’s Vimeo
[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/03/civilization_final.mov 960 540] Installation Credits Title: Civilization (MEGAPLEX), 2008 By: Marco Brambilla Client: The Standard Hotel, New York Editor/Research Assistant: Beau Dickson Assistant: Swapna Tamhane Production Company: Crush, Toronto Representation/Images Courtesy of: Christopher Grimes Gallery, Santa Monica Marco Brambi
[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/04/circus_large.mov 848 480] Credits: Client: The UPS Store Spot titles: “Gladiator”, “Circus” Agency: Doner EVP Account Management Director: Greg Gerfen VP Account Director: Julie MacDonald Executive VP, Director of Integrated Production: Sheldon Cohn EVP/Chief Creative Officer: Rob Strasberg Creative Director: Karen Cathel VP, Creative
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[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/04/audi_filter_h264.mov 960 540] Watch the making of video. Credits Production company: MARKENFILM GmbH & Co. KG Postproduction: INFECTED Postproduction GmbH Agency: kempertrautmann Hamburg Art Direction: Dirk Urbaniak // INFECTED, Andrew Ruszala // dmda – Method Design Flame-Artist: Dirk Urbaniak // INFECTED, Niko Papoutsis // Freelance
[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/02/dantes_inferno_h264.mov 786 589] Storyboards and Development Check out the storyboards and some making-of imagery behind this epic project. Interview The following is an interview with the creators behind Psyop’s “Dante’s Inferno” and myself, Lauren Indovina. STYLE Lauren Indovina: I was really surprised this is a “Psyop game trailer”
It’s happened to you at least once — a color explosion on your screen created by an ill-fated download or a codec mismatch. A compression algorithm slip-up can introduce surprising colors and patterns but retain strange motion memories of the original video. A little over a week ago, Ray Tintori premiered his music video for Chairlift’s “Evident Utensil”, which wrangles the technique, “data moshin
[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/01/heist_large.mov 960 540] < Back to full post Credits Title: Heist Client: Coca-Cola Agency: Wieden + Kennedy, Portland Creative Directors: Hal Curtis, Sheena Brady Art Directors: James Moslander, Lee Jennings Copywriter: Marc D’Avignon Senior Agency Producer: Matt Hunnicutt Associate Agency Producer: Juliana Montgomery Director: Psyo
Watch “Building” | Watch “Contents” | Watch “Motor” When I first watched these three commercials by Australian director Liz Murphy and TAXI for RAC Insurance, I thought, “Man, this is awesome 3D!” Then, when Liz told us that it was all real props, shot on full scale built sets, animated frame by frame in one continuous shot, I was convinced that this was a winner. All three spots are mind-boggling
The talented guys and gals over at Barcelona based, Dvein created these wonderful titles for the recent TOCA ME design conference. The TOCA ME crew contacted us to make the opening titles for this year’s event. The theme was “Beyond Surface”, and they wanted to go beyond each of the artists invited to the conference, to know their processes and thoughts. Opening title’s are very type based and we
Is it possible for these guys to do ONE thing that doesn’t amaze the hell out of us? “Psyop takes an imaginative journey with Wieden & Kennedy inside a Coke machine in “Happiness Factory,” a new spot for the soft drink’s latest campaign, “The Coke Side of Life.” The studio designed and animated the spot which begins airing today. Human created the music.” With two modelers on the team they’ve crea
Reliving The Past Motion Awards Winners! | Game of Thrones / Elastic The Season 8 Game of Thrones title sequence was redesigned to be more narrative, with visual details reflecting the depth and evolution of the story, including key events like the destruction of Winterfell and King’s Landing. Get Ready, Motionographers: Extended Deadline and Big Announcements Coming Your Way! As summer slowly wav
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